Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
The victory of Roucoux concluded the campaign of that year, and Favart
and his company returned to Brussels, heartily thankful to be quit, for
a time, of war's alarms. "I prefer," he wrote to his mother, "moderate
profits with safety to a large fortune purchased by continual fear and
danger." However, he had no reason to be dissatisfied with his winter
season in the Belgian capital, which was indeed successful beyond his
most sanguine anticipations, the profits at each performance averaging
as much as six hundred livres. To add to his good fortune, he was able
to rid himself of his rival Parmentier, who, finding that the Marshal
had taken Favart definitely under his protection, and that all attempts
to oust him were likely to prove abortive, retired in disgust, leaving
the poet master of the field. The future now presented itself to Favart
in the most smiling colours; but alas! the poor man was living all the
while in a fool's paradise, from which he was soon destined to be very
rudely ejected.
* * * * *
Though now in his fiftieth year, Maurice de Saxe was still as
susceptible to feminine charms as in the days when he had wrought such
havoc among the ladies of Lithuania and Courland. If the record of his
gallantries did not equal those of his royal father, it was probably
because his military occupations absorbed so large a portion of his
time. His tastes, particularly where the theatre was concerned, were
catholic. "Whom did he not love? To what actress or opera-girl's skirts
was he not attached? All the actresses of his campaigns in Flanders
succeeded one another in that inflammable heart and disputed there an
ephemeral reign: Mlles. Darimattes, Fleury, Amand, Verrières,[124]
Bline, Auguste, and Beaumenard. For the Saxon hero, the troupe which he
caused to follow him was a seraglio, in which the last comers were the
most honoured."[125]
Upon the susceptible Marshal it was only to be expected that the fresh
beauty and grace of Justine should make a favourable impression, nor was
his admiration for the young lady by any means diminished by the fact
that--to borrow his own curious expression--she was "possessed by the
demon of conjugal love,"[126] and, therefore, unlikely to afford him an
easy conquest. M. Léon Gozlan asserts that Justine had attracted
Maurice's notice in Paris, and that his invitation to Favart to
accompany him to Flanders was nothing but a pretext for getting the
poet's wife into his power. Of this there is some doubt; but, on the
other hand, there can be no question that, before the end of the year
1746, Maurice had fallen desperately in love with the young actress, and
had determined to make her, _bon gré, mal gré_, his mistress.
Public-domain text, read in full here on John Shaqi.
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