Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
But great as were the dramatic talents of Armande Béjart, they count for
comparatively little in the curiosity which her name arouses. It is her
moral character, her private life, her relations with her famous
husband, which have exercised the minds of the biographers of Molière
for upwards of two centuries. On these matters even more ink has been
expended than on the vexed question of her birth, and with far less
satisfactory results. To the great majority of writers Armande was an
unworthy wife, who repaid the kindness and affection lavished upon her
by the great man whose name she bore with ingratitude and contumely;
while there are not wanting those who go so far as to accuse her of the
grossest infidelity, and to assert that her misconduct was in some
measure responsible for the dramatist's untimely death. When, however,
we come to sift the evidence against her, we shall find that these
extreme views are based on very insufficient or very suspicious
testimony, and that one thing only has been clearly established, namely,
that she rendered Molière's later years very unhappy. But what was the
true cause of his unhappiness, whether occasioned by actual misconduct
on the part of Armande, or merely by an ever present dread that such
must be the inevitable termination of one or other of the very imprudent
flirtations in which she appears to have been continually indulging, is
very difficult, nay, well-nigh impossible, to determine.
It has always been a favourite practice with biographers of Molière and
historians of the French theatre to affect to discover more or less
direct allusions to the dramatist's relations with his wife in several
of his plays: the _École des femmes_, the _Impromptu de Versailles_, the
_Mariage forcé_, _George Dandin_, and, of course, the _Misanthrope_.
That this is true of the last-named play cannot, we think, be disputed;
but in regard to the others, we are inclined to believe that the
significance of the passages and episodes on which their contention
rests have been a good deal exaggerated.
Public-domain text, read in full here on John Shaqi.
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