Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Unfortunately for the object which the libeller has in view, she does
not content herself with general charges; she makes formal accusations,
which she endeavours to substantiate, and the book abounds in letters,
conversations, details about matters which could not possibly have been
known, save to the parties immediately concerned, with the result that
her attack fails miserably, and the judicious reader very speedily
perceives that the work is nothing but a collection of scandalous
anecdotes, which, when not controverted by positive facts, sin
grievously against probability.
However, as all readers are not judicious, and as the book has imposed
on several historians of deservedly high reputation,[24] it may be as
well for us, in the interests of truth, to follow the example of M.
Bazin and M. Larroumet, and devote some little space to an examination
of the charges which have brought so much unmerited odium upon the
memory of Armande Béjart.
The first lover attributed to Armande is the Abbé de Richelieu,
great-nephew of the famous cardinal, a gentleman of a very gallant
disposition, with a marked predilection for actresses: "There was no one
at the Court who did not endeavour to gain her favours. The Abbé de
Richelieu was one of the first who determined to make her his mistress.
As he was very liberal, while the young lady was very fond of
expenditure, the matter was soon concluded. It was agreed that he should
give her four pistoles (about forty francs) a day, without counting
clothes and entertainments. The abbé did not fail to send her every
morning, by a page, the pledge of their treaty, and to go and visit her
every afternoon."
Now, as M. Larroumet points out, if this story is to be accepted, we
must either believe Molière to have been ignorant of the comings and
goings of the page and the abbé, or that he was aware of and tolerated
them: two suppositions equally inadmissible. Moreover, if we consult the
dates, the improbability becomes an impossibility. Armande was married
on February 20, 1662, and on January 19, 1664, she bore Molière a son.
The intrigue must then have taken place between these two periods--which
is to make her infidelity begin at a very early date--since M. Bazin
tells us that the Abbé de Richelieu left France in March 1664 with the
expedition organised to defend Hungary against the Turks, and died at
Venice on January 9, 1665. That, however, does not prevent the _Fameuse
Comédienne_ from making his _liaison_ with Mlle. Molière last until the
production of the _Princesse d' Élide_; a play which was not performed
until May 8, 1664, some weeks after his departure.
Public-domain text, read in full here on John Shaqi.
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