Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
With all of these persons, and many others, Adrienne was not only on
friendly but on intimate terms, dining and supping with them frequently
and visiting them at their country-houses, and giving, in return,
charming little suppers, before each of which, with singular tact, she
invariably requested the guest of the evening to select those whom she
desired to meet.
According to Titon du Tillet, it was Adrienne who introduced the custom
of actresses reciting at private houses. "Mlle. Lecouvreur," says he,
"who was in great request at the best houses in Paris and at the Court,
did not refuse in the assemblies which she attended to declaim some
fine tirades in verse, and even whole scenes from tragedies, which
delighted her hearers. It was a very rare thing for persons of her
profession to recite verses outside the theatre, and I have hardly known
any one, save Baron, who gave people this pleasure."
Unfortunately for Adrienne, her social duties, combined with the arduous
work of her profession, seem to have imposed too great a tax upon her
strength, and in her letters to her friends she complains constantly of
the strain of this double life. The following letter, written in May
1728, probably to Maurice de Saxe, gives us an excellent insight into
her character and also into the life of a "society" actress. Allowing
for the difference in style, it might just as well have been written in
the twentieth as in the eighteenth century:--
* * * * *
"I spend three parts of my time in doing that which displeases me; new
acquaintances, whom, however, it is impossible to escape, so long as I
remain tied as I am, preventing me from cultivating the old or from
occupying myself at home as I should like to do. It is an established
custom for them to sup or dine with me, because some duchesses have done
me this honour. There are persons whose kindness and graciousness charm
me, and they are sufficient for me, but I am unable to devote myself to
them, because I am a public personage, and it is absolutely necessary to
reply to all those who are desirous of making my acquaintance, or else
be considered impertinent. However careful I am, I am continually
offending people. If my poor health, which is delicate, as you know,
obliges me to refuse or to fail some party of ladies whom I have never
seen, and who have no interest in me beyond curiosity: 'Assuredly,'
says one, 'she has a marvellous opinion of her importance!' Another
adds: 'It is because we are not titled!' If I happen to be serious, for
one cannot be very gay with many people one does not know: 'Is this the
girl who has so much wit?' says one of the company. 'Don't you see that
she despises us,' says another, 'and that one must know Greek in order
to please her?' 'She visits Madame de Lambert,' exclaims a third; 'does
not that explain the mystery?' I am still full of spiteful speeches of
this kind, and more occupied than ever in my desire to become free and
Public-domain text, read in full here on John Shaqi.
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