Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
to have no longer to pay court, save to those who really will entertain
a kind feeling for me, and will satisfy my heart and my mind. My vanity
does not find that numbers atone for merit in persons, and I have no
desire to shine. To keep my lips closed and listen to good conversation,
to find myself in the delightful society of clever and virtuous people,
is a hundred times more pleasant to me than to be stunned by all the
insipid praises which they lavish upon me right and left in many places
to which I go. It is not that I am wanting in gratitude or in the wish
to please, but I find that the approbation of fools is not flattering,
and that it becomes burdensome when it has to be purchased by individual
and repeated complaisances."
* * * * *
From the above letter, it will be seen that Adrienne's tastes lay in the
direction of a retired and peaceful life in the midst of a small circle
of chosen friends, and that the wearisome round of social pleasures
possessed but few attractions for her. In her exquisitely furnished
house in the Rue des Marais--the same in which Mlle. de Champmeslé and,
after her, Racine had formerly lived, and which, in later years, was to
become the residence of Mlle. Clairon--she spent the greater part of her
scanty leisure, her favourite occupations being reading and music. She
possessed a small but excellent library, containing some four hundred
volumes, dramatic literature and memoirs and historical works
predominating. Among the former were complete editions of the plays of
Molière and Racine; among the latter Échard's _Histoire Romaine_,
Daniel's _Histoire de France_, _Les Révolutions d'Angleterre_ by Père
d'Orléans, and the _Mémoires_ of Madame de Motteville.[76]
* * * * *
That Adrienne should have numbered among her friends of the opposite sex
several who were desirous of establishing a closer relationship with the
charming actress was, of course, only to be expected. Barbier, in his
_Journal_, asserts that one Prungent, intendant of the Duchess of
Brunswick, was her lover, and had "squandered with her the money of the
princess"; while other contemporary writers mention in the same
connection the celebrated Lord Peterborough, the Chevalier de Rohan, and
Voltaire.
Voltaire had been one of the first to appreciate both the talents and
personal qualities of Adrienne, and in a letter to Thiériot, written
shortly after the actress's untimely death, he declares himself to have
been "her admirer, her friend, her lover." The biographers of the lady
are divided in opinion as to whether this last term is to be taken in
its literal, or in its platonic and poetic sense; but whatever may have
been the relations between the _tragédienne_ and the writer, it is
certain that Adrienne found in Voltaire one of the firmest and most
devoted of her friends, who is undoubtedly sincere when he reminds her
"De la pauvre amitié que son cœur a pour elle,"
Public-domain text, read in full here on John Shaqi.
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