“Too easy, I agree with you,” Wanhope consented. “We cannot tell what
influences reach us from our environment, or what our environment really
is, or how much or little we mean by the word. The sense of danger seems
to be inborn, and possibly it is a survival of our race life when it was
wholly animal and took care of itself through what we used to call the
instincts. But, as I was saying, it was not danger that Ormond seemed to
be afraid of, if it came short of death. He was almost abnormally
indifferent to pain. I knew of his undergoing an operation that most
people would take ether for, and not wincing, because it was not supposed
to involve a fatal result.
“Perhaps he carried his own anodyne with him,” said Minver, “like the
Chinese.”
“You mean a sort of self-anaesthesia?” Wanhope asked. “That is very
interesting. How far such a principle, if there is one, can be carried in
practice. The hypnotists--”
“I’m afraid I didn’t mean anything so serious or scientific,” said the
painter.
“Then don’t switch Wanhope off on a side track,” Rulledge implored. “You
know how hard it is to keep him on the main line. He’s got a mind that
splays all over the place if you give him the least chance. Now, Wanhope,
come down to business.”
Wanhope laughed amiably. “Why, there’s so very little of the business.
I’m not sure that it wasn’t Mrs. Ormond’s attitude toward the fact that
interested me most. It was nothing short of devout. She was a convert.
She believed he really saw--I suppose,” he turned to me, “there’s no harm
in our recognizing now that they didn’t always get on smoothly together?”
“Did they ever?” I asked.
“Oh, yes--oh, yes,” said the psychologist, kindly. “They were very fond
of each other, and often very peaceful.”
“I never happened to be by,” I said.
“Used to fight like cats and dogs,” said Minver. “And they didn’t seem to
mind people. It was very swell, in a way, their indifference, and it did
help to take away a fellow’s embarrassment.”
“That seemed to come mostly to an end that summer,” said Wanhope, “if you
could believe Mrs. Ormond.”
“You probably couldn’t,” the painter put in.
“At any rate she seemed to worship his memory.”
“Oh, yes; she hadn’t him there to claw.”
“Well, she was quite frank about it with me,” the psychologist pursued.
“She admitted that they had always quarreled a good deal. She seemed to
think it was a token of their perfect unity. It was as if they were each
quarreling with themselves, she said. I’m not sure that there wasn’t
something in the notion. There is no doubt but that they were
tremendously in love with each other, and there is something curious in
the bickerings of married people if they are in love. It’s one way of
having no concealments; it’s perfect confidence of a kind--”
“Or unkind,” Minver suggested.
“What has all that got to do with it!” Rulledge demanded.
Public-domain text, read in full here on John Shaqi.
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