The insecurity of contemporary criticism is no reason, however, why
it should not be seriously and sincerely attempted. On the contrary,
the critic who has been accustomed to follow paths where the laws
and criteria of literature are paramount, may be glad to slip away
sometimes to a freer country, where the art he tries to practise is
more instinctive, more emotional, and more controversial. In the
schools of antiquity, when the set discourse was over, the lecturer
mingled with his audience under the portico of the Museum, and then, I
suppose, it was not any longer of the ancients that they talked, but of
the poet of last night, and of the rhetorician of to-morrow.
The critic may enjoy the sense of having abandoned the lecturing desk
or the tribune, and of mingling in easy conversation with men who are
not bound to preserve any decorum in listening to his opinions. In
the criticism of the floating literature of the day an opportunity is
offered for sensibility, for the personal note, even for a certain
indulgence in levity or irony. The questions of our own age are not yet
settled by tradition, nor hedged about with logical deductions; they
are still open to discussion; they are still Questions at Issue. Such
are all the aspects of the literary life which I endeavour to discuss
in this volume of essays.
There can, nevertheless, be no reason why, although the dress and
attitude be different, the critic should not be as true to his radical
conceptions of right and wrong in literature, when he discusses the
shifts and movements about him, as when he "bears in memory what has
tamed great nations." The attention of a literary man of character may
be diverted to a hundred dissimilar branches of his subject, but in
dealing with them all he should be the servant of the same ideas, the
defender of the same principles, the protector of the same interests.
The battle rages hither and thither, but none of the issues of it
are immaterial to him, and his attitude towards what he regards as
the enemies of his cause should never radically alter. His functions
should rather become more active and more militant when he feels that
his temporary position deprives him of accidental authority; and even
when he admits that the questions he discusses are matters of open
controversy, he should, in bringing his ideas to bear upon them, be
peculiarly careful to obey the orders of fundamental principles.
All this is quite compatible, I hope, with the sauntering step, the
conversational tone, the absence of all pedagogic assertion, which seem
to me indispensable in the treatment of contemporary themes.
Public-domain text, read in full here on John Shaqi.
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