he shouted, but the very energy of the exclamation suggests a doubt
in his own mind as to its complete acceptability. In this country,
the democracy has certainly crowded around one poet. It has always
appeared to me to be one of the most singular, as it is one of the most
encouraging features of our recent literary history, that Tennyson
should have held the extraordinary place in the affections of our
people which has now been his for nearly half a century. That it
should be so delicate and so Æolian a music, so little affected by
contemporary passion, so disdainful of adventitious aids to popularity,
which above all others has attracted the universal ear, and held it
without producing weariness or satiety; this, I confess, appears to me
very marvellous. Some of the Laureate's best-loved lyrics have been
before the public for more than sixty years. Cowley is one of the few
English poets who have been, during their lifetime, praised as much as
Tennyson has been, yet where in 1720 was the fame of Cowley? Where in
the France of to-day are the _Méditations_ and _Harmonies_ of Lamartine?
If, then, we might take Tennyson as an example of the result of the
action of democracy upon literature, we might indeed congratulate
ourselves. But a moment's reflection shows that to do so is to put
the cart before the horse. The wide appreciation of such delicate
and penetrating poetry is, indeed, an example of the influence of
literature on democracy, but hardly of democracy on literature. We
may examine the series of Tennyson's volumes with care, and scarcely
discover a copy of verses in which he can be detected as directly
urged to expression by the popular taste. This prime favourite of the
educated masses never courted the public, nor strove to serve it. He
wrote to please himself, to win the applause of the "little clan,"
and each round of salvos from the world outside seemed to startle him
in his obstinate retirement. If it grew easier and easier for him to
consent to please the masses, it was because he familiarised them more
and more with his peculiar accent. He led literary taste, he did not
dream of following it.
Public-domain text, read in full here on John Shaqi.
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