the value of the elder and the later poet be lightly laid in opposite
balances.
There has been no great disposition to produce English candidates for
the places of any of my original dozen. The _Saturday Review_ thinks
that I ought to have included Walter Scott, and the _St. James's
Gazette_ suggests Marlowe. There is much to be said for the claims of
each of these poets, and I am surprised that no one has put in a plea
for Herrick or Elizabeth Barrett Browning. Of Marlowe, indeed, we can
to this day write nothing better than Michael Drayton wrote:
_Marlowe, bathed in the Thespian springs,_
_Had in him those brave translunary things_
_That our first poets had; his raptures were_
_All air and fire, which made his verses clear;_
_For that fine madness still he did retain,_
_Which rightly should possess a poet's brain._
He had the freshness and splendour of Heosphoros, the bearer of light,
the kindler of morning; as the dawn-star of our drama, he ascended the
heavens, in the auroral flush of youth, to announce the approaching
majesty of Shakespeare. But his early death, and the unexampled
character of the genius who superseded him, have for centuries
obscured the name of Marlowe, which scintillated half-extinguished
in the blaze of _Hamlet_ and _Othello_. His reputation has, however,
increased during the last generation with greater rapidity than that
of any other of our elder poets, and a time may yet come when we shall
have popularly isolated him from Shakespeare to such a degree as to
enforce a recognition of his individual greatness. At the present
moment to give him a place among the twelve might savour of affectation.
In the case of Scott, I must still be firm in positively excluding
him, although his name is one of the most beloved in literature. The
_Waverley Novels_ form Scott's great claim to our reverence, and, save
for the songs scattered through them, have nothing to say to us here.
Scott's long narrative poems are really Waverley Novels told in easy,
ambling verse, and to a great measure, I must confess, spoiled, I
think, by such telling. For old memory's sake we enjoy them still,
_Full sore amaz'd at the wondrous change,_
_And frighten'd as a child might be_
_At the wild yell and visage strange,_
_And the dark words of gramarye_;
Public-domain text, read in full here on John Shaqi.
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