Quilts: Their Story and How to Make ThemWebster, Marie D. (Marie Daugherty)
History
Quilts: Their Story and How to Make Them
Webster, Marie D. (Marie Daugherty)
Coverlets; Quilting; Quilts
The most ancient example of patchwork is a coloured gazelle hide
presented in the Museum of Cairo. The colours of the different pieces
of skin are bright pink, deep golden yellow, pale primrose, bluish
green, and pale blue. This patchwork served as the canopy or pall of
an Egyptian queen about the year 960 B. C. She was the mother-in-law
of Shishak, who besieged and captured Jerusalem shortly after the
death of Solomon. On its upper border this interesting specimen has
repeated scarabs, cartouches with inscriptions, discs, and serpents.
The lower border has a central device of radiating lotus flowers; this
is flanked by two narrow panels with cartouches; beyond these are two
gazelles facing toward the lotus device. Next to the gazelles on each
side is a curious detail consisting of two oddly shaped ducks, back to
back; then come the two outer compartments of the border, each of
which enclose a winged beetle, or scarabaeus, bearing a disc or emblem
of the sun. The other main division of the field is spotted in regular
order with open blossom forms. There is decided order in the
repetition and arrangement of these details, which gives a rather
stiff and formal look to the whole design.
To-day Egyptians are making patchwork that is undoubtedly a
development of the very art practised in the days of Ptolemy, Rameses,
and Cleopatra. They do not use their patchwork to adorn quilts, since
these are unknown in the warm Nile valley, but as covers for cushions,
panels for screens, and decorations suitable for wall hangings.
Generally but two kinds of material are employed in its construction:
a rather loosely woven cotton cloth, and a firm, coarse linen. The
cottons used are all gayly dyed in plain colours, and the linens are
in the natural shades, with perhaps a slight mixture of white. The
patchwork designs are typically Egyptian, many pieces being covered
with replicas of paintings found on tombs and temples. These paintings
are copied as faithfully in colour as in design, even the
hieroglyphics being exactly reproduced, and altogether make very
striking and effective decorations.
[Illustration: MODERN EGYPTIAN PATCHWORK
Four cushion covers]
[Illustration: MODERN EGYPTIAN PATCHWORK
Panels for screens]
Public-domain text, read in full here on John Shaqi.
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