Quilts: Their Story and How to Make Them — John Shaqi
Quilts: Their Story and How to Make ThemWebster, Marie D. (Marie Daugherty)
History
Quilts: Their Story and How to Make Them
Webster, Marie D. (Marie Daugherty)
Coverlets; Quilting; Quilts
The other interesting incident of ancient times is that of Penelope's
patient weaving. It is related that, after one short year of wedded
happiness, her husband Ulysses was called to take part in the Trojan
War. Not a single message having been received from him by Penelope
during his long absence, a doubt finally arose as to his being still
alive. Numerous suitors then sought her hand, but Penelope begged for
time and sought to put them off with many excuses. One of her devices
for delay was that of being very busy preparing a funeral robe for
Ulysses' father. She announced that she would be unable to choose
another husband until after this robe was finished. Day after day she
industriously wove, spending patient hours at her loom, but each night
secretly ravelled out the product of her day's labour. By this
stratagem Penelope restrained the crowd of ardent suitors up to the
very day of Ulysses' return.
CHAPTER II
PATCHWORK AND QUILTING DURING THE MIDDLE AGES
In the early days of Christianity the various organizations of the
mother church took a deep interest in all the textile arts, and we are
indebted to the ecclesiastical orders for what progress was made in
needlework during the beginning of the Middle Ages. The makers of
church hangings and vestments were stimulated by thoughts of the
spiritual blessings with which they were assured their work would be
rewarded. Much of this early ecclesiastic needlework is extremely
elaborate and was always eagerly desired by the holy orders. At one
time the craze for gorgeous vestments reached such an extreme that we
have record of one worthy bishop chiding his priests because they
"carried their religion on their backs instead of in their hearts."
[Illustration: MODERN EGYPTIAN PATCHWORK
Panels for wall decoration]
[Illustration: DOUBLE NINE PATCH
Made in Ohio in 1808. Colours: blue and white, and
beautifully quilted]
The artistic needlework of the Christian era consists almost
entirely of embroidery; no positive reference to patchwork or quilting
being found in western Europe prior to the time of the Crusades. But
with this great movement, thousands of the most intelligent men in
Europe, urged by religious enthusiasm combined with love of adventure,
forced their way into eastern countries whose culture and refinements
of living far surpassed their own. The luxuries which they found in
Syria were eagerly seized and carried home to all the western lands.
Returning Crusaders exhibited fine stuffs of every description that
roused the envy of all who obtained a glimpse of them. A vigorous
commerce with the east was immediately stimulated. From Syria
merchants brought into Italy, Spain, and France silks and cottons to
supplement the native linen and wool, and also many kinds of
embroidered work of a quality much finer than ever known before. As a
result dyeing, weaving, and needlework entered on an era of great
development.
Public-domain text, read in full here on John Shaqi.
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