Quilts: Their Story and How to Make Them — John Shaqi
Quilts: Their Story and How to Make ThemWebster, Marie D. (Marie Daugherty)
History
Quilts: Their Story and How to Make Them
Webster, Marie D. (Marie Daugherty)
Coverlets; Quilting; Quilts
"One winter's night, when the Hodja and his wife were
snugly asleep, two men began to quarrel and fight under
the window. Both drew knives and the dispute threatened
to become serious. Hearing the noise, the Hodja's wife
got up, looked out of the window and, seeing the state
of affairs, woke her husband, saying: 'Great heavens,
get up and separate them or they will kill each other.'
But the Hodja only answered sleepily: 'Wife, dear,
come to bed again; on my faith there are no men in the
world; I wish to be quiet; it is a winter's night. I am
an old man, and perhaps if I went out they might beat
me.' The Hodja's wife was a wise woman. She kissed his
hands and his feet. The Hodja was cross and scolded her,
but he threw the quilt about him, went downstairs and
out to where the disputants were, and said to them: 'For
the sake of my white beard cease, my sons, your strife.'
The men, in reply, pulled the quilt from the Hodja's
shoulders and made off with it. 'Very well,' observed
the old man. He reentered, locked the door, and went
upstairs. Said his wife: 'You did very well to go out to
those men. Have they left off quarrelling?' 'They have,'
replied the Hodja. 'What were they quarrelling about,
Hodja?' 'Fool,' replied the Hodja, 'they were
quarrelling for my quilt. Henceforward my motto shall
be, "Beware of serpents."'"
[Illustration: JACOB'S LADDER
One of the most striking of the quilts having Biblical
names. Colours: blue and white]
[Illustration: CONVENTIONAL TULIP
Made in Ohio about 1840. Beautifully quilted in
medallions and pineapples of original design. Colors:
red, pink, and green]
Applique, or applied work, has never been used in France to the same
extent as in England, even though the French name "applique" is more
frequently used than any other. However, there is one striking example
of applique work, of Rhenish or French origin, now hanging in the
Victoria and Albert Museum in London. This realistic patchwork
represents a fight between an armoured knight mounted on a
high-stepping white horse and a ferocious dragon. The designs are
arranged in a fashion similar to the blocks in a modern quilt, and
depict several scenes showing the progress of the combat. There is
also a border covered closely with figures of monks, knights, and
ladies.
Public-domain text, read in full here on John Shaqi.
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