The great amount of precious metals used in making the richest garments and hangings sometimes made them objects to be desired by avaricious invaders. In an inventory of the contents of Cardinal Wolsey's great palace at Hampton Court there are mentioned, among many other rare specimens of needlework of that period, "230 bed hangings of English embroidery." None of them is now in existence, and it is supposed that they were torn apart in order to fill the coffers of some vandal who preferred the metal in them to their beauty as hangings. Among the sumptuous furnishings belonging to the Tudor period, applied work held a prominent place. Vast spaces of cold palace walls were covered by great wall hangings, archways were screened, and every bed was enclosed with curtains made of stoutly woven material, usually more or less ornamented. This was before the advent of French tapestry, which later supplanted the English applique wall draperies. The Tudor period was also the time when great rivalry in dress existed. "The esquire endeavoured to outshine the knight, the knight the baron, the baron the earl, the earl the king himself, in the richness of his apparel." [Illustration: FEATHER STAR Made about 1850. Colours: blue and white] [Illustration: DRUNKARD'S PATH A modern quilt after an old pattern. Colours: light blue and white] In direct contrast to the long inventories of beautiful and valuable clothing, bedcovers, and hangings of the rich, are the meagre details relating to the life and household effects of the landless English peasant. In all probability he copied as far as he was able some of the utilities and comforts used by his superiors. If he possessed a cover for his bed, it was doubtless made of the cheapest woven material obtainable. No doubt the pieced or patched quilt contributed materially to his comfort. In "Arts and Crafts in the Middle Ages," Julia de Wolf Addison describes a child's bed quilt included in an inventory of furniture at the Priory in Durham in 1446, "which was embroidered in the four corners with the Evangelistic symbols." In the "Squier of Lowe Degree," a fifteenth-century romance, there is allusion to a bed of which the head sheet is described as embroidered "with diamonds and rubies bright."