A quilt depending solely upon the stitching used in quilting, whether it be of the simple running stitch, the back stitch, or the chain stitch, is not particularly ornamental. However, when viewed at close range, the effect is a shadowy design in low relief that has a distinctive but modest beauty when well done. Early in the eighteenth century a liking for this fashion prevailed, and was put to a variety of uses. Frequently there was no interlining between the right and wrong sides. At Canons Ashby there are now preserved some handsome quilted curtains of this type, belonging to Sir Alfred Dryden, Baronet. [Illustration: COMBINATION ROSE More than 85 years old. Colours: rose, pink, and green] [Illustration: DOUBLE TULIP Made in Ohio, date unknown. The tulips are made of red calico covered with small yellow flowers. The roses have yellow centres] During the Middle Ages instruction in the use of the needle was considered a necessary part of the English girl's education. By the seventeenth century "working fine works with the needle" was considered of equal importance with singing, dancing, and French in the accomplishments of a lady of quality. In the eighteenth century much the same sentiment prevailed, and Lady Montagu is quoted as saying: "It is as scandalous for a woman not to know how to use a needle as for a man not to know how to use a sword." The _Spectator_ of that time sarcastically tells of two sisters highly educated in domestic arts who spend so much time making cushions and "sets of hangings" that they had never learned to read and write! A sober-minded old lady, grieved by frivolous nieces, begs the _Spectator_ "to take the laudable mystery of embroidery into your serious consideration," for, says she, "I have two nieces, who so often run gadding abroad that I do not know when to have them. Those hours which, in this age, are thrown away in dress, visits, and the like, were employed in my time in writing out receipts, or working beds, chairs, and hangings for the family. For my part I have plied the needle these fifty years, and by my good-will would never have it out of my hand. It grieves my heart to see a couple of proud, idle flirts sipping the tea for a whole afternoon in a room hung round with the industry of their great-grandmothers." Another old lady of the eighteenth century, Miss Hutton, proudly makes the following statement of the results of years of close application to the needle: "I have quilted counterpanes and chest covers in fine white linen, in various patterns of my own invention. I have made patchwork beyond calculation."