A very beautiful and original design, made in New England over 125 years ago. Only part of the design has been stuffed] [Illustration: OLD LADIES QUILTING] Names that are grotesque, or fanciful, or so descriptive that their mention is sure to provoke a grin, occur with pleasing frequency. Who can help but smile at "Hairpin Catcher," "Hearts and Gizzards," or "Tangled Garters?" Other grotesque names worthy of mention are: An Odd Pattern Autograph Quilt Boy's Nonsense Brick Pile Broken Dish Cake Stand Crazy Quilt Devil's Puzzle Fantastic Patch Fool's Puzzle No Name Quilt Pullman Puzzle Puzzle File Robbing Peter to Pay Paul State House Steps Steps to the Altar Swing in the Centre The X quisite Tick-Tack-Toe Vestibule The everyday quilts, not particularly beautiful, perhaps, but nevertheless so essential to the family comfort, are also considered worthy of names. Homely and prosaic as their owners, the following names have a peculiar rugged quality entirely lacking in the fanciful ones given to their more artistic sisters: An Old Patchwork Bedtime Coarse Woven Patch Country Farm Crib Quilt Crosses and Losses Economy Home Treasure Odds and Ends Odd Patchwork Old Scrap Patchwork Right and Left Simple Design Swinging Corners The Old Homestead Twist and Turn Twist Patchwork Winding Walk Workbox In the old days grown-up folks were not the only ones who had to do with naming the quilts; children shared in the honour, and many of the quaint and fantastic names were the result of humouring their fancies. There was no "B'rer Rabbit" in quilt lore, but he was not missed when the two or three youngsters who cuddled in the old-fashioned trundle bed could have so many other fascinating names for their quilts. "Four Little Birds," "Ducks and Ducklings," "Children's Delight," "The Little Red House," "Goose in the Pond," "The House That Jack Built," "Toad in the Puddle," and "Johnny Around the Corner" are some of the old names still in use to-day. Any one of these patterns made up into a quilt was a treasure to imaginative children, and it was doubly so when they could pick out among the tiny blocks bits of colour that were once in their own gay dresses and pinafores. Clinging lavender wisteria, sweet jasmine, and even scarlet amaryllis pale beside the glowing colours displayed during sunny spring days on the gallery rails of many country homes through Delaware and Virginia. These picturesque scenes, in which the familiar domestic art supplies the essential touch of colour, are aptly described by Robert and Elizabeth Shackleton, those indefatigable searchers for the beautiful among the relics of our forefathers.