Quilts: Their Story and How to Make ThemWebster, Marie D. (Marie Daugherty)
History
Quilts: Their Story and How to Make Them
Webster, Marie D. (Marie Daugherty)
Coverlets; Quilting; Quilts
"In many a little village, and in many an isolated mountain home, the
old-time art of making patchwork coverlets is remembered and
practised. Some may be found that are generations old; others are new,
but made in precisely the old-time way, and after the same patterns.
Many are in gorgeous colours, in glowing yellows, greens, and purples;
and being a matter of housewifely pride, they are often thrown over
the 'gallery rail' so their glory may be seen.
"One guest bed had nineteen quilts! Not to sleep under such a padded
mountain, but it was the most natural method of display. Each quilt
had its name. There was the "Western Star," the "Rose of the
Carolinas," the "Log Cabin," the "Virginia Gentleman," the "Fruit
Basket," the "Lily of the Valley"--as many special names as there are
designs."
CHAPTER VII
QUILT COLLECTIONS AND EXHIBITIONS
In spite of their wide distribution and vast quantity, the number of
quilts readily accessible to those who are interested in them is
exceedingly small. This is particularly true of those quilts which
possess artistic merit and historic interest, and a considerable
amount of inquiry is sometimes necessary in order to bring forth even
a single quilt of more than ordinary beauty. It is unfortunate for
this most useful and pleasant art that its masterpieces are so shy and
loath to display their charms, for it is mainly from the rivalry
induced by constant display that all arts secure their best stimulus.
However, some very remarkable achievements in quilting have been
brought to light from time to time, to the great benefit of this best
of household arts.
There is in existence to-day no complete collection of quilts readily
available to the public at large. No museum in this country or abroad
has a collection worthy of the name, the nearest approach to it being
in the great South Kensington Museum in London. While many
institutions possess one or more specimens, these have been preserved
more often on account of some historic association than because of
exceptional beauty or artistic merit. It is only in the rare instance
of a family collection, resulting from the slow accumulation by more
than one generation of quilt enthusiasts, that a quilt collection at
all worth while can be found. In such a case the owner is generally so
reticent concerning his treasures that the community as a whole is
never given the opportunity to profit by them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account