Quincy Adams Sawyer and Mason's Corner Folks: A Picture of New England Home LifePidgin, Charles Felton
General
Quincy Adams Sawyer and Mason's Corner Folks: A Picture of New England Home Life
Pidgin, Charles Felton
New England -- Fiction
The large attendance was also due in part to the fact that a new and
original musical composition by Mr. Strout, the singing-master, would be
sung for the first time in public. Again, it had been whispered up at
Hill's grocery at Mason's Corner that the young city fellow who was
boarding at Deacon Mason's was going to be present, and this rumor led
to a greatly increased attendance from that village.
The audience was a typical one of such communities at that period;
horny-handed farmers with long shaggy beards and unkempt hair, dressed
in ill-fitting black suits; matronly looking farmers' wives in their
Sunday best; rosy-cheeked daughters full of fun and vivacity and
chattering like magpies; tall, lank, awkward, bashful sons, and
red-haired, black-haired, and tow-headed urchins of both sexes, the
latter awaiting the events of the evening with the wild anticipations
that are usually called forth only by the advent of a circus.
The members of the chorus were seated on the large platform, the girls
being on the right and the fellows on the left. A loud hum of
conversation arose from the audience and chorus, a constant turning over
and rattling of programmes gave a cheerful and animated appearance to
the scene. The centre door at the rear of the platform was opened and
all eyes were turned in that direction, the chorus twisting their necks
or turning half 'round in their seats.
Professor Strout entered and was greeted with a loud burst of applause.
He wore a dress suit that he had hired in Boston, and there was a large
white rose in the lapel of his coat. He was accompanied by Miss Tilly
James, the pianist, who wore a handsome wine-colored silk dress that had
been made for the occasion by the best dressmaker in Cottonton. As she
took her place at the piano and ran her fingers over the keys, she, too,
came in for a liberal round of applause. Professor Strout bowed to the
audience, then turning his back upon them, he stood with baton uplifted
facing the chorus and waiting the advent of the town committee. Every
eye in the audience was fixed upon the programme. It contained the
information that the first number was an opening chorus entitled,
"Welcome to the Town Committee," written and composed by Professor
Obadiah Strout and sung for the first time with great success at the
last annual concert.
The door at the rear of the platform was opened again and Deacon Abraham
Mason, the Rev. Caleb Howe, and Mr. Benoni Hill, the members of the town
committee on singing school, entered. Deacon Mason was accompanied by
Quincy Adams Sawyer, and all eyes were fastened on the couple as they
took their seats at the right of the platform, the Rev. Mr. Howe and Mr.
Hill being seated on the left.
Public-domain text, read in full here on John Shaqi.
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