Antique dealers -- Fiction; English fiction -- 20th century
Upon entering the house, Quinney went into the shop, and disdainfully
surveyed the stock-in-trade. Everything lay higgledy-piggledy. The big
window was full of faked brass-work which seemed to gleam derisively at
a dirty card upon which was inscribed the legend, "Genuine Antiques."
Among the brass-work were bits of pottery and some framed mezzo-tints.
Inside the shop, upon an unswept floor, old furniture was piled ceiling
high. Some of it was really good, for mahogany was just then coming
into fashion again, but in such matters Old Joe had always been behind
his times. He preferred oak, the more solid the better, buying
everything at country sales that happened to go cheap; assorted lots
allured him irresistibly. He was incapable of arranging his wares,
laughing scornfully at his son’s suggestions. In the same spirit he
refused to remove dust and dirt, being of the opinion that they lent a
tone to antiques which were not quite genuine. He had never bought
really good stuff to sell to customers outside the trade.
When, as frequently happened, he came across a valuable piece of
furniture or a bit of fine china, he would communicate at once with a
dealer, and in particular with a certain Thomas Tomlin, who invariably
paid ten per cent advance on the bargain, which might be regarded as a
handsome profit. To the visitors, especially Americans, who dropped in
to Quinney’s on their way to and from the Cathedral, Old Joe would sell
at a huge profit what he contemptuously stigmatized as rubbish. A few
of his regular customers were well aware that Old Joe knew nothing of
the real value of some of his wares. He bought engravings and prints in
colour, and these he sold at a price about double of what he had paid,
chuckling as he did so.
Porcelain he understood, but not pottery; and even in porcelain he
refused obstinately to pay a high price, unless he was quite sure of his
turnover. Young Joe had always despised these primitive methods, and
nothing pleased him so much as when he was able to rub well into his
sire the mortifying fact that ignorance and funk had prevented him from
securing a prize.
As the young man gazed derisively at his possessions, the roustabout boy
told him that Mr. Tomlin had called, promising to return after the
funeral; and half an hour later the dealer arrived, to find Young Joe
staring devoutly at two figures of Bow and a plate of Early Worcester.
Tomlin greeted the young man with a certain deference never exhibited
before.
"Sorry to disturb you, Joe, on such a sad occasion."
"’Tain’t sad!" snapped joe. "You know as well as I do that the old man
gave me a hell of a time. Now he’s gone, and that’s all there is about
it."
"I came about them," Tomlin indicated the china. "Last thing your pore
father wrote to me about."
"Nice bits, eh?"
Public-domain text, read in full here on John Shaqi.
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