Quintus Claudius: A Romance of Imperial Rome. Volume 1Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 1
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
[58] DIONYSUS. A surname of Bacchus.
[59] LIBATION. Wine poured as an offering to the gods.
[60] VESTIBULUM. The space in front of the house-door (_fores_)
which in the time of the imperial government was frequently
covered with a portico.
[61] ADOPTED DAUGHTER. The adoption of a child in ancient Rome
was regulated by very strict laws. Adoption in its narrower
sense (_adoptio_) extended to persons who were still under
paternal authority; with self-dependent persons the so-called
_arrogatio_ took place. With women this last form was entirely
excluded.
[62] ATRIUM. From the door of the house a narrow passage (_ostium_)
led to the first inner court, the atrium, so-called because
this space, where the hearth originally was, was _blackened_
by the smoke (_ater_). The atrium, which in the more ancient
Roman houses possessed the character of a room with a
comparatively small opening in the roof, and afterwards
resembled a court-yard, was at first the central point
of family life, the sitting-room, where the industrious
house-keeper sat enthroned among her slaves. When republican
simplicity gave way to luxury, the atrium became the hall
devoted to the reception of guests, and domestic life was
confined to the more retired apartments.
[63] TRICLINIUM, (triple couch) really the sofa on which three,
and sometimes even more persons reclined at table; the name
was also given to the dining-room itself, which comprised the
second inner court-yard, the so-called peristyle or cavaedium.
[64] CIMBRIAN PENINSULA, now called Jutland.
[65] GUTTONI. A German race on the lower Vistula.
[66] AESTUI. A German race living on the coast of Revel.
[67] SCANDII. Inhabitants of southern Sweden.
[68] THE SENSE OF CONTRAST was a conspicuous trait in Roman
character. They were wont to heighten their appreciation of
the joys of life by images of death, and the dining-room was
intentionally placed so as to afford a view of tombs.
[69] THE GOLDEN HOUSE (_domus aurea_). The name given to the
magnificent palace of Nero, which extended from the Palatine
Hill across the valley and up again as far as the gardens of
Macaenas on the Esquiline. It contained an enormous number of
the choicest works in statuary. Vespasian had a large part of
this building pulled down.
Public-domain text, read in full here on John Shaqi.
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