Quintus Claudius: A Romance of Imperial Rome. Volume 1Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 1
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
“Euterpe!” breathed the worthy Herodianus. “Heavenly consonance! Is she
a Greek?”
“She is from Etruria, and was formerly the slave of Marcus Cocceius
Nerva, who freed her. She married in Cumae not long since.”
“As strictly historical as the annals of Tacitus,” laughed Claudia.
“I heard it all from Baucis.”
“Wretched old magpie!” exclaimed Quintus, intentionally raising his
voice. “If she could not gossip, she would lose the breath of life.”
“By all the gods, my lord!” exclaimed Baucis, laying her hands on her
heart, “you are calumniating me greatly--do you grudge me a little
harmless chat? All-merciful Isis! am I to close my lips with wax? No,
by Typhon[84] the cruel! Besides, I must instruct the daughters of the
house; it is for that that I eat the bitter crust of dependence in my
old age. Oh! Baucis knows her duties; have I not taught Claudia to
sing and play the cithara? Have I not taught Lucilia more than a dozen
Egyptian formulas and charms? and now I add to this a little sprinkling
of knowledge of the world and of men--and you call it gossip! You young
men of the present day are polite, I must say!”
“Then you sing to the cithara?”[85] said Aurelius, turning to Claudia.
“Oh, let me, I beg of you, hear one of your songs!”
“With pleasure,” said the girl coloring slightly. “With your
permission, dear mother...?”
“You know my weakness,” replied Octavia. “I am always only too
glad to hear you sing. If our noble guest’s request is not merely
politeness....”
“It is a most heartfelt wish,” cried Aurelius. “Your daughter’s voice
is music when she only speaks--in singing it must be enchanting.”
“I think so too, indeed,” added Herodianus. “Oh, we Northmen are
connoisseurs in music. The Camenae visit other spots than Helicon
and the seven hills of Rome; they have taken Trajectum too under
their protection. Had I but been born in Hellas, where Zeus so
lavishly decked the cornucopia of the arts with such pure and ideal
perfection....”
“Herodianus, you are talking nonsense!” interrupted the young Batavian.
“I am afraid that the old Falernian we drank at dinner, was too strong
for your brain.”
“I beg your pardon! that would be very unlike me. Since Apollo
first laid me in my cradle, temperance has been my most conspicuous
virtue....”
A slave girl had meanwhile brought in the nine-stringed cithara and the
ivory plectrum; Claudia took them from her with some eagerness, put the
ribbon of the lute round her neck and sat upright on her easy-chair.
She turned the pegs here and there to put the instrument in tune,
struck a few chords and runs as a prelude, and began a Greek song--the
delightful Spring-greeting of Ibycus the Sicilian:[86]
“Spring returns, and the gnarled quince[87]
Fed by purling and playful brooks
Decks its boughs with its rosy flowers
Where, beneath in the twilight gloom,
Nymph-like circles of maidens dance;
While the sprays of the budding grape
Hide ’mid shadowy vine leaves.
Public-domain text, read in full here on John Shaqi.
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