But then, again, what had she done? What was she to do when the other
one, that good and noble man, to whom--so Agatha said, and her own
heart could not but confirm it--she had given such unequivocal proof of
her affection, when he came into her presence and said: "I have come to
take you at your word. Not all the Flavios in the world would have kept
Hilarie from loving her uncle, had she been convinced that he truly
loved her. And you know it: I love you!" What could she do, but, with
Hilarie, say: "I am yours for ever"? He would not fall at her feet
and exclaim: "You make me the happiest man beneath the sun," but she
knew,--she knew that he would be happy!
Ah me!--why had she not obeyed the voice which called to her that first
evening when she met him in the wood, and he laid his heart open to
her: "Open thy heart to him too," the voice had said, "tell him all."
That would have been the time, the only right time. For the very next
day she had read in his eyes what now made her so proud--so happy. So
happy? Gracious heavens!
This was happiness, was it, that she now desired nothing better than
death, swift death, to escape from the torments that tore her heart to
pieces?
Did he divine nothing of these torments! Why had he not come to her
last night? He might surely have spared her a minute--he had given the
Princess a full hour. It was, perhaps, a relief, a sort of recreation,
for him, seeing he had so long had to dispense with any intellectual
conversation. Was she perchance the beautiful widow in the novelette
who consoled the uncle for the loss of Hilarie? And had Hilarie already
got to the point of wishing and longing for such consolation for her
uncle?
Her shamefaced gaze wandered up to Bertram's windows, under which she
had arrived--not quite unintentionally. What if he were to appear
above--signalling: "Wait, I am coming down!"
Like a startled fawn she flitted away to one of the terrace-walks,
behind whose protecting wall she could not be seen from those windows
of his, and burst into tears, as she became conscious of her cowardice.
Lydia appeared at the opposite entrance; she could not avoid Lydia now;
she bent toward the espalier, to dry her eyes unobserved, and lo! there
was Lydia at her side, at her feet, clasping Erna's knees, pressing her
face against Erna's robe, sobbing.
It was a theatrical display, such as Lydia employed on all possible
occasions, suitable or otherwise; Erna knew that well enough. But she
had not the courage to tear herself away; never a harsh or ironical
expression came forth from her to-day; nay, she all but envied a human
being that found such expression for its feelings, whatever they might
be. She endeavoured to raise the kneeling lady.
"I must remain on my knees until you have pardoned me," murmured Lydia.
"I'll do anything you wish--but rise, rise, I entreat you!"
Public-domain text, read in full here on John Shaqi.
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