R.U.R. (Rossum's Universal Robots): A Fantastic Melodrama in Three Acts and an EpilogueČapek, Karel
Science
R.U.R. (Rossum's Universal Robots): A Fantastic Melodrama in Three Acts and an Epilogue
Čapek, Karel
Czech drama -- Translations into English; Robots -- Drama; Science fiction plays
DR. GALL. You see, so many Robots are being manufactured that people
are becoming superfluous. Man is really a survival, but that he should
die out, after a paltry thirty years of competition, that’s the awful
part of it. You might almost think that Nature was _offended_ at the
manufacture of the Robots, but we still have old Rossum’s manuscript.
HELENA. Yes. In that strong box.
DR. GALL. We go on using it and making Robots. All the universities are
sending in long petitions to restrict their production. Otherwise, they
say, mankind will become extinct through lack of fertility. But the R.
U. R. shareholders, of course, won’t hear of it. All the governments,
on the other hand, are clamoring for an increase in production, to
raise the standards of their armies. And all the manufacturers in the
world are ordering Robots like mad.
HELENA. And has no one demanded that the manufacture should cease
altogether?
DR. GALL. No one has courage.
HELENA. Courage!
DR. GALL. People would stone him to death. You see, after all, it’s
more convenient to get your work done by the Robots.
HELENA. Oh, Doctor, what’s going to become of people?
DR. GALL. God knows. Madame Helena, it looks to us scientists like the
end.
HELENA. (_She looks out front. Rising_) Thank you for coming and
telling me.
DR. GALL. (_Rises_) That means that you’re sending me away.
HELENA. Yes. (_Exit DR. GALL L.2. She crosses to L.C. To door L.1. With
sudden resolution_) Nana! Nana! the fire, light it quickly. (_HELENA
exits R._)
NANA. (_Entering L.1_) What, light the fire in the summer?
HELENA. (_Off R._) Yes!
NANA. (_She looks for RADIUS_) Has that mad _Radius_ gone?--A fire
in summer, what an idea? Nobody would think she’d been _married_ ten
years. She’s like a baby, no sense at all. A fire in summer. Like a
baby. (_She lights the fire._)
HELENA. (_Returns from R. with armful of faded papers. Back of couch
to fireplace, L. of NANA_) Is it burning, Nana? All this has got to be
burned.
NANA. What’s that?
HELENA. Old papers, fearfully old. Nana, shall I burn them?
NANA. Are they any use?
HELENA. _No._
NANA. Well, then, burn them.
HELENA. (_Throwing the first sheet on the fire_) What would you say,
Nana, if this was money and a lot of money? And if it was an invention,
the greatest invention in the world?
NANA. (_R. of fireplace_) I’d say burn it. All these new-fangled things
are an offense to the Lord. It’s downright wickedness. Wanting to
improve the world after He has made it.
HELENA. Look how they curl up. As if they were alive. Oh, Nana, how
horrible!
NANA. Here, let me burn them.
HELENA. (_Drawing back_) No, no, I must do it myself. Just look at the
flames. They are like hands, like tongues, like living shapes. (_Raking
fire with the poker_) Lie down, lie down.
NANA. That’s the end of them. (_Fireplace slowly out._)
HELENA. Nana, Nana!
NANA. Good gracious, what is it you’ve burned? (_Almost to herself._)
HELENA. Whatever have I done?
Public-domain text, read in full here on John Shaqi.
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