Girls -- Juvenile fiction; Magicians -- Juvenile fiction; Seven Wonders of the World -- Juvenile fiction
“She’s never been to London before, and, though I don’t want her to sit
too long over lessons, I think she should improve her mind while she
is here. The British Museum is an education in itself,” declared Aunt
Hester, and Miss Moore had primly agreed.
So it happened that at eleven o’clock on a bright spring morning, a
secretly unwilling little girl climbed the steps leading to the great
entrance of the great museum. The pigeons on the steps reminded her
of the dovecote at home, and the tears came suddenly to her eyes, as
almost without thinking she counted the number of birds on the top step.
“Seven,” she murmured half aloud.
“Seven what?” asked Miss Moore.
“Seven pigeons on this step. Aren’t they pretty?” Rachel lingered to
look at the burnished shining necks. She would much rather have stayed
outside with the pigeons, but Miss Moore hurried on to the swing doors,
and Rachel was obliged to follow her into the huge building.
“What do they keep here?” she asked listlessly, when Miss Moore had
given up her umbrella to a man behind a counter, just inside.
“All sorts of things,” returned her governess vaguely. “It’s a
_museum_, you know.”
Rachel was not very much the wiser but, as she walked with Miss Moore
from one great hall to another, she was confused and wearied by the
number of things of which she had glimpses. There were rows of statues,
cases full of strange objects, monuments in stone all covered with
carvings; curious pictures on the walls. Indeed, there _were_ “all
sorts of things” in the British Museum! But, as she knew nothing about
any of them, and Miss Moore volunteered very little information, she
was yawning with boredom by the time her governess remarked:
“Now, _these_ things come from Egypt.”
For the first time Rachel pricked up her ears. Mother and Dad were now
in Egypt, and as she glanced at the long stone things like tombs, at
drawings and models and a thousand other incomprehensible objects all
round her, she wished she knew something about them. Instead of saying
so, however, and almost without thinking, she murmured, “This is the
seventh room we’ve come to. I’ve counted them.”
“This is the famous _Rosetta_ Stone,” observed Miss Moore, reading an
inscription at the foot of a dull-looking broken block of marble in
front of them.
Rachel yawned for the seventh time with such vigour that her eyes
closed, and when she opened them a queer-looking little old man was
bending over the big block.
“What is the date of the month?” he asked so suddenly that she started
violently.
“Let me see. The seventh, I think. Yes—the seventh,” she stammered,
raising her eyes to his face.
He was so muffled up, that nearly all Rachel could see of him was a
pair of very large dark eyes, under a curious-looking hat. He wore a
long cloak reaching to his heels, and one end of the cloak was flung
over his left shoulder almost concealing his face.
Public-domain text, read in full here on John Shaqi.
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