Rachel Gray: A Tale Founded on FactKavanagh, Julia
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Rachel Gray: A Tale Founded on Fact
Kavanagh, Julia
Christian life -- Fiction; London (England) -- Fiction; Poor -- Fiction
There was a touch of quiet humour in Rachel, and with a demure smile, she
internally wondered why it was precisely her polony that had been
selected by puss, but aloud she merely declared that she could make an
excellent supper on bread and beer. Mrs. Gray, who held the reins of
domestic management in their little household, assured her that she had
better, for that nothing else was she going to get; she sat down
heroically determined to eat the whole of her polony in order to punish
and provoke her step-daughter; but somehow or other the half of that
dainty had, before the end of the meal, found its way to the plate of
Rachel, who, when she protested against this act of generosity, was
imperiously ordered to hold her tongue, which order she did not dare to
resist; for if Mrs. Gray's heart was mellow, her temper was sufficiently
tart.
The apprentices had long been gone to bed; as soon as supper was over,
Mrs. Gray intimated to Rachel the propriety of following their example.
Rachel ventured to demur meekly.
"I cannot, mother--I have work to finish."
"Then better have sat at home and finished it, than have gone gadding
about, and nearly got a pitch plaster on your mouth," grumbled Mrs. Gray,
who was a firm believer in pitch plasters, and abductions, and highway
robberies, and all sorts of horrors. "Mind you don't set the house a
fire," she added, retiring.
"Why, mother," said Rachel, smiling, "you treat me like a child, and I am
twenty-six."
"What about that? when you aint got no more sense than a baby."
Rachel did not venture to dispute, a proposition so distinctly stated.
She remained up, and sat sewing until her work was finished; she then
took out from some secret repository a small end of candle, lit it, and
extinguished the long candle, by the light of which she had been working.
From her pocket she took a small key; it opened a work-box, whence she
drew a shirt collar finely stitched; she worked until her eyes ached, but
she heeded it not, until they closed with involuntary fatigue and sleep,
and still she would not obey the voice of wearied nature; still she
stitched for love, like the poor shirtmaker for bread, until, without
previous warning, her candle end suddenly flickered, then expired in its
socket, and left her in darkness. Rachel gently opened the window, and
partly unclosed the shutter; the moon was riding in the sky above the old
house opposite, her pale clear light glided over its brown walls and the
quiet street, down into the silent parlour of Rachel. She looked around
her, moved at seeing familiar objects under an unusual aspect. In that
old chair she had often seen her father sitting; on such a moonlight
night as this she and Jane, then already declining, had sat by the
window, and looking at that same sky, had talked with youthful fervour of
high and eternal things. And now Jane knew the divine secrets she had
guessed from afar, and Thomas Gray, alas! was a stranger and an alien in
his own home.
Public-domain text, read in full here on John Shaqi.
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