"Oh, Mr. Rowan,--never mind now; you must go on with the figure," and
thus for a moment she was saved from her difficulty. When he had done
his work of dancing, she began hers, and as she placed both her hands
in his to make the final turn, she flattered herself that he would
not go back to the subject.
Nor did he while the quadrille lasted. As they continued to dance
he said very little to her, and before the last figure was over she
had almost settled down to enjoyment. He merely spoke a word or two
about Mrs. Cornbury's dress, and another word about the singular
arrangement of Mr. Griggs' jewellery, at which word she almost
laughed outright, and then a third word laudatory of the Tappitt
girls. "As for Cherry," said he "I'm quite in love with her for her
pure good-nature and hearty manners; and of all living female human
beings Martha is the most honest and just."
"Oh! I'll tell her that," said Rachel. "She will so like it."
"No, you mustn't. You mustn't repeat any of the things I tell you in
confidence." That word confidence again silenced her, and nothing
more was said till he had offered her his arm at the end of the
dance.
"Come away and have some negus on the stairs," he said. "The reason
I like these sort of parties is, that one is allowed to go into such
queer places. You see that little room with the door open. That's
where Mr. Tappitt keeps his old boots and the whip with which he
drives his grey horse. There are four men playing cards there now,
and one is seated on the end of an upturned portmanteau."
"And where are the old boots?"
"Packed away on the top of Mrs. Tappitt's bed. I helped to put them
there. Some are stuck under the grate because there are no fires now.
Look here; there's a seat in the window." Then he placed her in the
inclosure of an old window on the staircase landing, and brought her
lemonade, and when she had drunk it he sat down beside her.
"Hadn't we better go back to the dancing?"
"They won't begin for a few minutes. They're only tuning up again.
You should always escape from the hot air for a moment or two.
Besides, you must answer me that question. Did I offend you?"
"Please don't talk of it. Please don't. It's all over now."
"Ah, but it is not all over. I knew you were angry with me
because,--shall I say why?"
"No, Mr. Rowan, don't say anything about it."
"At any rate, I may think that you have forgiven me. But what if I
offend in the same way again? What if I ask permission to do it,
so that it may be no offence? Only think; if I am to live here in
Baslehurst all my life, is it not reasonable that I should wish you
to be my friend? Are you going to separate yourself from Cherry
Tappitt because you are afraid of me?"
"Oh, no."
"But is not that what you have done during the last week, Miss
Ray;--if it must be Miss Ray?" Then he paused, but still she said
nothing. "Rachel is such a pretty name."
"Oh, I think it so ugly."
Public-domain text, read in full here on John Shaqi.
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