I looked down and took breath. The maid was removing the crumbs in the
lighted room, and the square was empty as before. What a blessing it
was the end of the season! Many of the houses remained in darkness. I
looked up again, and Raffles was drawing his left leg over the balcony
railing. In another moment he had disappeared through one of the French
windows which opened upon the balcony, and in yet another he had
switched on the electric light within. This was bad enough, for now I,
at least, could see everything he did; but the crowning folly was still
to come. There was no point in it; the mad thing was done for my
benefit, as I knew at once and he afterward confessed; but the lunatic
reappeared on the balcony, bowing like a mountebank—in his crape mask!
I set off with the empty chair, but I came back. I could not desert old
Raffles, even when I would, but must try to explain away his mask as
well, if he had not the sense to take it off in time. It would be
difficult, but burglaries are not usually committed from a bath-chair,
and for the rest I put my faith in Dr. Theobald. Meanwhile Raffles had
at least withdrawn from the balcony, and now I could only see his head
as he peered into a cabinet at the other side of the room. It was like
the opera of _Aïda_, in which two scenes are enacted simultaneously,
one in the dungeon below, the other in the temple above. In the same
fashion my attention now became divided between the picture of Raffles
moving stealthily about the upper room, and that of the husband and
wife at table underneath. And all at once, as the man replenished his
glass with a shrug of the shoulders, the woman pushed back her chair
and sailed to the door.
Raffles was standing before the fireplace upstairs. He had taken one of
the framed photographs from the chimney-piece, and was scanning it at
suicidal length through the eye-holes in the hideous mask which he
still wore. He would need it after all. The lady had left the room
below, opening and shutting the door for herself; the man was filling
his glass once more. I would have shrieked my warning to Raffles, so
fatally engrossed overhead, but at this moment (of all others) a
constable (of all men) was marching sedately down our side of the
square. There was nothing for it but to turn a melancholy eye upon the
bath-chair, and to ask the constable the time. I was evidently to be
kept there all night, I remarked, and only realized with the words that
they disposed of my other explanations before they were uttered. It was
a horrible moment for such a discovery. Fortunately the enemy was on
the pavement, from which he could scarcely have seen more than the
drawing-room ceiling, had he looked; but he was not many houses distant
when a door opened and a woman gasped so that I heard both across the
road. And never shall I forget the subsequent tableaux in the lighted
room behind the low balcony and the French windows.
Public-domain text, read in full here on John Shaqi.
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