Raffles stood confronted by a dark and handsome woman whose profile, as
I saw it first in the electric light, is cut like a cameo in my memory.
It had the undeviating line of brow and nose, the short upper lip, the
perfect chin, that are united in marble oftener than in the flesh; and
like marble she stood, or rather like some beautiful pale bronze; for
that was her coloring, and she lost none of it that I could see,
neither trembled; but her bosom rose and fell, and that was all. So she
stood without flinching before a masked ruffian, who, I felt, would be
the first to appreciate her courage; to me it was so superb that I
could think of it in this way even then, and marvel how Raffles himself
could stand unabashed before so brave a figure. He had not to do so
long. The woman scorned him, and he stood unmoved, a framed photograph
still in his hand. Then, with a quick, determined movement she turned,
not to the door or to the bell, but to the open window by which Raffles
had entered; and this with that accursed policeman still in view. So
far no word had passed between the pair. But at this point Raffles said
something, I could not hear what, but at the sound of his voice the
woman wheeled. And Raffles was looking humbly in her face, the crape
mask snatched from his own.
“Arthur!” she cried; and that might have been heard in the middle of
the square garden.
Then they stood gazing at each other, neither unmoved any more, and
while they stood the street-door opened and banged. It was her husband
leaving the house, a fine figure of a man, but a dissipated face, and a
step even now distinguished by the extreme caution which precedes
unsteadiness. He broke the spell. His wife came to the balcony, then
looked back into the room, and yet again along the road, and this time
I saw her face. It was the face of one glancing indeed from Hyperion to
a satyr. And then I saw the rings flash, as her hand fell gently upon
Raffles’s arm.
They disappeared from that window. Their heads showed for an instant in
the next. Then they dipped out of sight, and an inner ceiling flashed
out under a new light; they had gone into the back drawing-room, beyond
my ken. The maid came up with coffee, her mistress hastily met her at
the door, and once more disappeared. The square was as quiet as ever. I
remained some minutes where I was. Now and then I thought I heard their
voices in the back drawing-room. I was seldom sure.
Public-domain text, read in full here on John Shaqi.
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