Americans -- Italy -- Fiction; New England -- Fiction; Young women -- Fiction
Fane thought himself a good-looking fellow, and he regarded his figure
with pleasure, as it was set off by the suit of fine gray check that he
wore habitually; but he thought Gregory's educational advantages told in
his face. His own education had ended at a commercial college, where he
acquired a good knowledge of bookkeeping, and the fine business hand he
wrote, but where it seemed to him sometimes that the earlier learning
of the public school had been hermetically sealed within him by several
coats of mathematical varnish. He believed that he had once known a
number of things that he no longer knew, and that he had not always been
so weak in his double letters as he presently found himself.
One night while Gregory sat on a high stool and rested his elbow on the
desk before it, with his chin in his hand, looking down upon Fane, who
sprawled sadly in his chair, and listening to the last dance playing
in the distant parlor, Fane said. “Now, what'll you bet that they won't
every one of 'em come and look for a letter in her box before she goes
to bed? I tell you, girls are queer, and there's no place like a hotel
to study 'em.”
“I don't want to study them,” said Gregory, harshly.
“Think Greek's more worth your while, or know 'em well enough already?”
Fane suggested.
“No, I don't know them at all,” said the student.
“I don't believe,” urged the clerk, as if it were relevant, “that
there's a girl in the house that you couldn't marry, if you gave your
mind to it.”
Gregory twitched irascibly. “I don't want to marry them.”
“Pretty cheap lot, you mean? Well, I don't know.”
“I don't mean that,” retorted the student. “But I've got other things to
think of.”
“Don't you believe,” the clerk modestly urged, “that it is natural for a
man--well, a young man--to think about girls?”
“I suppose it is.”
“And you don't consider it wrong?”
“How, wrong?”
“Well, a waste of time. I don't know as I always think about wanting to
marry 'em, or be in love, but I like to let my mind run on 'em. There's
something about a girl that, well, you don't know what it is, exactly.
Take almost any of 'em,” said the clerk, with an air of inductive
reasoning. “Take that Claxon girl, now for example, I don't know what
it is about her. She's good-looking, I don't deny that; and she's got
pretty manners, and she's as graceful as a bird. But it a'n't any one of
'em, and it don't seem to be all of 'em put together that makes you
want to keep your eyes on her the whole while. Ever noticed what a nice
little foot she's got? Or her hands?”
“No,” said the student.
“I don't mean that she ever tries to show them off; though I know some
girls that would. But she's not that kind. She ain't much more than a
child, and yet you got to treat her just like a woman. Noticed the kind
of way she's got?”
“No,” said the student, with impatience.
Public-domain text, read in full here on John Shaqi.
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