As he spoke, his hand touched the book, and in his haste to withdraw it,
Angelescu seized the upper cover. The book opened and two loose leaves
fluttered out and fell at Ragna's feet. She picked them up to return to
him, glancing at them involuntarily as she did so, and her attention was
arrested. The first sketch was a portrait of herself, idealized, but an
excellent likeness; the other was the Prince, also an admirable
likeness, but conveying an impression of evil--not conscious evil,
however, rather the face of a faun through whose eyes looked out a
laughing fiend. Ragna shivered unconsciously and turned to the Prince,
in whose good humoured countenance she failed to detect the slightest
expression similar to that in the drawing.
"So," said Mirko, "our dear Otto has been exercising his talents at our
expense! very clever indeed. The sketch of Mademoiselle is charming,
but, my dear fellow, what has induced you to lend my humble features to
your conception of the Devil? You flatter me, you do indeed!"
Angelescu visibly annoyed, made answer,
"I am sorry, I did not wish Mademoiselle to see that I had taken the
liberty of attempting her likeness without her permission, and I can
only beg that she will accept the little sketch as a token that she
bears me no ill will. As for the other, Your Highness, it was only an
idle fancy of mine, and it is only by accident that it may seem to
resemble you."
Ragna looked at the little sketches thoughtfully and said, "Count
Angelescu, you were wrong in sketching me without my permission, but I
will forgive that--especially as you have made me so pretty. As the
Prince has some sketches of me, I will let you keep this, if you wish
it, and I will keep the other."
But the Prince would have none of that.
"What, Mademoiselle, you wish to keep me before your eyes as a devil?
Never in the world; I won't have it!"
In the end, Angelescu was persuaded to draw another portrait of the
Prince with which to redeem the "Devil Sketch" which Ragna insisted on
holding as hostage until it should be replaced by a better.
More than once, in the course of the afternoon, Angelescu pleaded that
he had writing that must be attended to, official papers and reports
that must be prepared, but Mirko refused to let him go.
"You can do all that later," he would say.
Ragna caught Angelescu glancing anxiously at him from time to time, as
though suspecting him of some ulterior motive. The aide could hardly
insist, however, especially after the episode of the sketches--indeed he
had an uneasy feeling that the last word had not been said with regard
to them, and that the Prince meant to turn the situation thus created to
his own personal advantage. So the afternoon wore on, the Prince keeping
the ball of conversation gaily rolling, nothing in his appearance giving
the slightest hint that he thought of anything beyond the careless
enjoyment of the passing hour.
Public-domain text, read in full here on John Shaqi.
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