Prostitutes -- Fiction; United States -- Fiction; Women -- Fiction
* * * * *
Mrs. Luve leaned back in her chair, took the brimming words of Samson
Brenner.
They poured from him, free, full, into the dark pool of her eyes. They
poured bright, candid: in the dark pool they fell dark.
--You talk of your fears and your pains: you talk of your loves and your
dreams. You are a Jew, you are true. Why is the word Christ never in
your mouth?
--O there is reason, deep! What is the pain of nearness--you pampered
Jew, you Jew-boy, plump about sorrow--that blots the word Christ from
your mouth?
“Mrs. Luve, I forget myself. I talk. I lose myself, there sudden I am. I
do not know myself, but I say ‘that is me!’”--Pampered boy. “I talk and
talk. God knows of what and why. Mrs. Luve, do I bore you?”
“You move along a path that is mine. Go on. I have no earthly thing to
do but hear you.”
“You are grave!”
“Not so grave as you.”
“But I laugh. I must tell you ... the first time I really heard
laughter....”
--You move upon my life like a broken sun ashift through cloud at
evening after a black day.... You in the flame of my candles, you in
the black of my room.... What is this word Christ you know too deep to
utter?”
* * * * *
Fanny standing moved her hand from the gathered flowers on the table ...
cherry and pear buds high, bowls of anemone, violets ... to her lips.
“He is coming!” She stood.
The door thrust forward--and was away from between them. Clad in white
she held firm against the sight of him; tall and dark with pale hands
and face, he rose from her still eyes like a column of smoke.
“Harry!” Then she held out her arms.
He shut the door. He knelt.
“Get up, husband.”
He kissed her hands.
She lifted his head in her two palms, lifted him up. His lips were on
hers.
They were thin, sweet, laden now with little gasps of air warmed sweet
in sweet lungs: no smells of liquor and smoke like a hot corrugation
scraping her sense.
He broke from her and sat in a chair. His breath was sudden, he had run
a race. One hand lay palpitant against a knee: breathless, afraid, a
being out of its element. She thought of a sea. He was fished up dry
from a sea.
“Harry,” she spoke low. She knelt at his feet: she looked up: she could
smile now.
“Get up, wife.”
“No ... let me. Let me always.”
His dry hands, tremulous, waved about her hair: seeking, afraid: they
were moths now, fluttering upon a light: so his eyes. His face was pale
and hurt turned down upon her smiling. Fluttering search collapsed. He
hid his face in his hands.
“Do not cry now.” She felt shut out by his hiding hands.
“I do not cry. Instead, I pray.”
He looked at her. All of him was dry. From his words he seemed to have
won bravery. She felt shut out in his looking.
His eyes were braver: his hands. They moved forward upon her shadowing
face: they sought a thing, found it. They carried her mouth upon his,
differently, upward. He stood, she under him. Her flesh touched his
flesh.
Public-domain text, read in full here on John Shaqi.
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