Clarissa, the younger, was a beauty. The fact that she was a beauty was acknowledged by all who knew her, and was well known to herself. It was a fact as to which there had never been a doubt since she was turned fifteen. She was somewhat shorter than her sister, and less slender. She was darker in complexion, and her hair, which was rich in colour as brown hair can be, was lustrous, silky, and luxuriant. She wore it now, indeed, according to the fashion of the day, with a chignon on her head; but beneath that there were curls which escaped, and over her forehead it was clipped short, and was wavy, and impertinent,--as is also the fashion of the day. Such as it was, she so wore it that a man could hardly wish it to be otherwise. Her eyes, unlike those of her father and sister, were blue; and in the whole contour of her features there was nothing resembling theirs. The upper lip was short, and the chin was short and dimpled. There was a dimple on one cheek too, a charm so much more maddening than when it is to be seen on both sides alike. Her nose was perfect;--not Grecian, nor Roman, nor Egyptian,--but simply English, only just not retrousse. There were those who said her mouth was a thought too wide, and her teeth too perfect,--but they were of that class of critics to whom it is a necessity to cavil rather than to kiss. Added to all this there was a childishness of manner about her of which, though she herself was somewhat ashamed, all others were enamoured. It was not the childishness of very youthful years,--for she had already reached the mature age of twenty-one; but the half-doubting, half-pouting, half-yielding, half-obstinate, soft, loving, lovable childishness, which gives and exacts caresses, and which, when it is genuine, may exist to an age much beyond that which Clarissa Underwood had reached.