The nebula which was to form a cluster about the "North American Review" did not take definite shape until 1815. There is no such memorial of the growth of American literature as is to be found in the first half century of that periodical. It is easy to find fault with it for uniform respectability and occasional dulness. But take the names of its contributors during its first fifty years from the literary record of that period, and we should have but a meagre list of mediocrities, saved from absolute poverty by the genius of two or three writers like Irving and Cooper. Strike out the names of Webster, Everett, Story, Sumner, and Cushing; of Bryant, Dana, Longfellow, and Lowell; of Prescott, Ticknor, Motley, Sparks, and Bancroft; of Verplanck, Hillard, and Whipple; of Stuart and Robinson; of Norton, Palfrey, Peabody, and Bowen; and, lastly, that of Emerson himself, and how much American classic literature would be left for a new edition of "Miller's Retrospect"? These were the writers who helped to make the "North American Review" what it was during the period of Emerson's youth and early manhood. These, and men like them, gave Boston its intellectual character. We may count as symbols the three hills of "this darling town of ours," as Emerson called it, and say that each had its beacon. Civil liberty lighted the torch on one summit, religious freedom caught the flame and shone from the second, and the lamp of the scholar has burned steadily on the third from the days when John Cotton preached his first sermon to those in which we are living.