Courtship -- Fiction; Inheritance and succession -- Fiction; Mate selection -- Fiction; Social classes -- England -- Fiction
"Is it long since you have had an accident before?" asked Wilton, not
very well knowing how to proceed in compliance with a little private
imperative nod from the fair inquisitor.
The question was opportune, for it launched the station-master upon
quite a flood of memories into which he rushed and talked for good ten
minutes without intermission. How long he would have continued it is
impossible to say, but one of the porters came to call him, as there was
a telegraph from ----.
Wilton followed to hear the news, and returned, after a short absence,
with the intelligence that the expected train would not arrive for
another hour.
"That is long," replied the young lady, scarce lifting her head; then,
as Wilton, a little mortified by her tone, turned to leave the room, she
exclaimed, still looking down, "Stay one moment, if not inconvenient."
"Certainly," and Wilton stood still for another minute or two.
"There," she said, holding out the book, "is that like him?"
Wilton took it and uttered an exclamation of surprise. On the page
before him was a bold, rapid, admirable sketch of the station-master;
all the characteristic lines and puckers were there, but slightly
idealized.
"This is first-rate! You are quite an artist."
"I wish I was! Let me touch it a little more. What a capital face it
is--so rugged, so humorous--yet so English; not the least bit
picturesque. I shall work this into something some day."
"Then I am right in supposing you an artist? May I look again?" said
Wilton, sitting down beside her.
"Oh, yes; you may look at my scratchings. This is my note-book. I like
to draw everything--but, you see, most imperfectly."
"I do not, indeed. I know very little of art, though I can sketch
roughly--merely professional work--but you seem to me to have both
genius and skill."
"Some taste, scarce any skill."
There was something quite genuine in her tone--not the least tinge of
mock-modesty--as she turned over the pages, and touched them here and
there, while her manner was singularly devoid of coquetry. Wilton might
have been her grandfather for all of embarrassment or excitement his
attentions caused.
"And you can draw; perhaps you know these trees; they are not far from
Monkscleugh."
She showed him a group of beeches most delicately yet clearly drawn.
"I do not know the neighborhood. I am going there for the first time.
May I ask if you reside there?"
"Yes, at present. Oh, you will find a great deal to sketch all
about--especially by the river--and there is beauty, too, in the gray
skies and rich brown moors; but how unlike the beauty of the sunny
south!"
"It is not necessary to ask which you like; your voice tells that," said
Wilton.
"And are you not fond of drawing?" she resumed, as if the subject had an
irresistible attraction.
"You would not look at such school-boy productions as mine," returned
Wilton, smiling. "As I said before, they are mere rough professional
drawings."
"Professional! What is your profession?"
Public-domain text, read in full here on John Shaqi.
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