Courtship -- Fiction; Inheritance and succession -- Fiction; Mate selection -- Fiction; Social classes -- England -- Fiction
"Are you? I am sure I am not, little tiresome, useless animals."
"Human nature in the raw, eh!"
"Yes; I prefer it dressed. Still, to quote an inelegant proverb, 'Too
much cookery spoils the broth!' But some is quite essential. Here,
Isabel, take my cup." The little girl approached and offered to take
Wilton's.
"No, not at any age could I permit such a thing," said he, laughing.
"And so you are the artist in the house of Saville! Are you very fond of
drawing?"
"I used not to be until--" she began to reply, when her sister
interrupted her.
"Look, Isabel, Miss Walker wants you. Miss Walker (Hooky Walker, as my
Cousin Jim calls her, because she has a hooked nose) is the governess. I
think poor Isabel is a little afraid of her. She is awfully clever, and
very slow."
Wilton looked at her in deep disappointment; the mystery was growing
more difficult. Perhaps after all, Ella Rivers did _not_ live at
Brosedale! Now he recalled all she had said, he found she had not
positively asserted that she lived there, or anywhere. Could it be
possible that she had slipped from his grasp--that he would never see
her again--was she only the wraith of a charming, puzzling girl? Pooh!
what was it to him? His business was to enjoy three or four months'
sport and relaxation. He was so far fortunate. His chum, Moncrief, had
pitched on excellent shooting quarters for their joint occupation. His
campaign had proved a very remedial measure, for he was quite clear of
his debts, and the good intentions of Lord St. George formed a pleasing
if uncertain perspective. So Wilton reflected, while Miss Helen Saville
performed a _tarantella_ of marvellous difficulty, where accidentals,
abstruse harmonious discords, and double shakes, appalled the listening
ear. When it was finished, the audience were properly complimentary,
which homage the fair performer disregarded with a cool and lofty
indifference highly creditable to her training in the school of modern
young-ladyism.
"What an amount of study must be required to attain such skill!" said
Wilton, as she returned to her seat near him. "Is it indiscreet to ask
how many hours a day it took to produce all that?"
"Oh, not so very many. When I was in the school-room, I practised four
or five; now much less keeps me in practice. Are you fond of music,
Colonel Wilton?"
"Yes, I am extremely fond of it, in an ignorant way. I like old ballads,
and soft airs, and marches, and all that low style of music suited to
outside barbarians like myself." And Wilton, instinctively conscious
that the brilliant Miss Saville admired him, bestowed a mischievous
glance upon her as he spoke, not sorry, perhaps, to act upon the
well-known principle of counter-irritation, to cure himself of the
absurd impression made upon him by his chance encounter.
"I understand," returned Miss Saville, a little piqued, as he had
intended she should be. "You look upon such compositions as I have just
played as a horrid nuisance."
Public-domain text, read in full here on John Shaqi.
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