Rambles in an Old City: comprising antiquarian, historical, biographical and political associationsMadders, Susan Swain
History
Rambles in an Old City: comprising antiquarian, historical, biographical and political associations
Madders, Susan Swain
Norwich (England)
St. Peter’s Mancroft, the brightest star in the constellation of churches
that illumine the “Old City,” has beauties and curiosities of almost
every variety and character to offer for investigation; but perhaps none
so loudly appeal to the senses of the citizens at large as the eloquent
“changes” rung upon its magnificent set of bells, whenever occasion
offers for a display of the fulness and richness of their tone; and,
possibly, their melody is never more appreciated than when it comes forth
in the softened echo of the beautiful muffled peal.
Touching the presence of bells in the church, we have noticed elsewhere
that they were introduced among the incrustations of Pagan worship that
grew up around the early Christian forms, and owed their origin to the
superstition that the sound of metal preserved the soul from the danger
of evil spirits; but there are other curious facts connected with their
history. The Roman Catholic baptised the bell, using holy water, incense
and prayers in the ceremony and according to the missal of Salisbury,
there were godfathers and godmothers, who gave them names.
A strange allegorical signification of bells after their baptism was
written by Durandus, the great Catholic authority, for the mysterious
services of the church. “The bell,” he says, “denotes the preacher’s
mouth, the hardness of the metal implies the fortitude of his mind; the
clapper striking both sides, his tongue publishing both testaments, and
that the preacher should on one side correct the vice in himself, and on
the other reprove it in his hearers; the band that ties the clapper
denotes the moderation of the tongue; the wood on which the bell hangs
signifies the wood of the cross; the iron that ties it to the wood
denotes the charity of the preacher; the bell-rope denotes the humility
of the preacher’s life,” &c. &c. The description goes on yet further
into detail; but the analogies between the subjects and their allegorical
representations are so undiscernible, as to make it a somewhat tedious
task to follow it throughout.
Public-domain text, read in full here on John Shaqi.
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