Rambles in an Old City: comprising antiquarian, historical, biographical and political associationsMadders, Susan Swain
History
Rambles in an Old City: comprising antiquarian, historical, biographical and political associations
Madders, Susan Swain
Norwich (England)
For the kind assistance of the few individuals from whom information has
been sought, many thanks are due; and it is but just to state, that all
deficiences of matter or details, that may probably be felt by many, more
familiar than the writer herself with the persons, places, and things,
that make the sum and substance of her work, are referable alone to the
difficulty she has experienced in selecting suitable materials to carry
out her design, from the abundance placed at her disposal; a tithe of
which might have converted her “rambles” into a heavy, weary “march,”
along which few might have had patience to accompany her.
To these few observations must be subjoined an expression of earnest and
heartfelt thanks to the many liberal-minded individuals who have extended
encouragement to this feeble effort of a perfect stranger. That some
portion or other of the contents of her little volume may be found worthy
their acceptance, is the fervent desire of
THE AUTHORESS.
NORWICH,
January 1, 1853.
CONTENTS.
CHAP. I.
INTRODUCTION PAGE
1
CHAP. II.
THE CATHEDRAL 14
CHAP. III.
THE CASTLE 62
CHAP. IV.
THE MARKET-PLACE 117
CHAP. V.
THE GUILDHALL 179
CHAP. VI.
PAGEANTRY 227
CHAP. VII.
SUPERSTITIONS 282
CHAP. VIII.
CONVENTUAL REMAINS AND BIOGRAPHICAL SKETCHES 311
ERRATA. {0}
Page 7, line 15, _for_ “these,” _read_ “those.”
„ 8, line 10, _for_ “querus,” _read_ “querns.”
„ 37, line 16, for “veriest,” _read_ “various.”
„ 59, lines 24 and 26, _for_ “Hoptin,” _read_ “Hopkin.”
„ 64, line 8, _for_ “spirit—powers,” _read_ “spirit-powers.”
CHAPTER I.
INTRODUCTION.
Who that has ever looked upon the strange conglomerations of architecture
that line the thoroughfares of an ancient city, bearing trace of a touch
from the hand of every age, from centuries far remote,—or watched the
busy scenes of modern every-day life, surrounded by solemnly majestic, or
quaintly grim old witnesses of our nation’s’ infancy,—but has felt the
Poetry of History that lies treasured up in the chronicles of an “Old
City?”
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