Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
Suetonius ("Caligula," xxxi.) says, "He began an amphitheatre near the
septa or barracks of the soldiers." Dion Cassius records, "That on one
occasion, when the Emperor Caligula was in want of criminals for
combats, he seized a number of citizens, and after tearing out their
tongues that they might not complain, he had them brought into the
arena, where they were compelled to fight."
_Adjoining is the_
CHURCH OF S. CROCE IN GERUSALEMME,
erected by S. Helena. The interior has three aisles divided by
pilasters, and with eight columns of Egyptian granite. The high altar
is adorned by four columns of breccia-corallina, which support the
canopy. Under the altar is an ancient urn, which contains the bodies
of the holy martyrs Anastasio and Cesario. The frescoes of the vault
of the tribune are by Pinturicchio. The subterranean chapel of S.
Helena is decorated with paintings by Pomarancio, and with mosaics by
B. Peruzzi. Ladies are not allowed to enter this chapel, except on the
saint's day. The church was erected in
THE SESSORIUM PALACE,
which was built by Sextus Varius, father of Elagabalus. This was
afterwards turned into the Palace of Helena, near which were her
baths, remains of which exist in the adjoining vineyards; also of the
reservoir; which remains are called by some the TEMPLE OF VENUS AND
CUPID, from a statue found there. A Venus with Cupid at her feet,
supposed to be the likeness of Salustia Barbia Orbiana, the wife of
Alexander Severus, from an inscription on the pedestal saying that it
was dedicated to Venus by one Salustia.
In the "Excerpta Valesiana de Odac" (lxix.) it is mentioned as "the
palace called Sessorium." In the buildings at the _back_ of the church
remains of a large palace can be traced. It is said by tradition that
it took its name from a basilica which stood here where the cases of
the slaves were tried. Another is, that here was the Prætorium or
headquarters of the Prætorian prefect of the city. "It is said that
Maximin, the prefect, had a small cord always suspended from a remote
window of the Prætorium, the end of which had a loop which was easily
drawn tight, by means of which he received secret information"
(Marcellinus, xxviii. 7). The ruin to the left of the church has all
the appearance of a basilica.
_Returning past the Lateran, a lane by the side of Mr. Warrington
Wood's, via_ S. STEFANO ROTONDO, following the aqueduct, leads to the
remarkable
CHURCH OF S. STEFANO ROTONDO,
supposed to be formed from the remains of
NERO'S MEAT-MARKET.
A coin representing this market agrees with the architecture of the
church. "Then Nero celebrated a feast by way of thanksgiving for his
preservation, and dedicated the market-place where meat is sold" (Dion
Cassius).
Public-domain text, read in full here on John Shaqi.
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