Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
"The one that has been erected in the Campus Martius has been applied
to a singular purpose by the late Emperor Augustus--that of marking
the shadows projected by the sun, and so measuring the length of the
days and nights. With this object, a stone pavement was laid, the
extreme length of which corresponded exactly with the length of the
shadow thrown by the obelisk at the sixth hour on the day of the
winter solstice. After this period the shadow would go on day by day
gradually decreasing, and then again would as gradually increase,
correspondingly with certain lines of brass that were inserted in the
stone--a device well deserving to be known, and due to the ingenuity
of Facundus Novus, the mathematician. Upon the apex of the obelisk he
placed a gilded ball, in order that the shadow of the summit might be
condensed and agglomerated, and so prevent the shadow of the apex
itself from running to a fine point of enormous extent, the plan being
first suggested to him, it is said, by the shadow that is projected by
the human head. For nearly the last thirty years, however, the
observations derived from this dial have been found not to
agree,--whether it is that the sun itself has changed its course, in
consequence of some derangement of the heavenly system; or whether
that the whole earth has been in some degree displaced from its
centre--a thing that, I have heard say, has been remarked in other
places as well; or whether that some earthquake, confined to this city
only, has wrenched the dial from its original position; or whether it
is that, in consequence of the inundations of the Tiber, the
foundations of the mass have subsided, in spite of the general
assertion that they are sunk as deep into the earth as the obelisk
erected upon them is high."
_Regaining the Corso, the first turning on the right, Via Pietra,
leads into the_ PIAZZA DI PIETRA, in which are the ruins of
THE TEMPLE OF NEPTUNE.
Eleven Corinthian columns, which formed a part of one side of the
temple, still stand, forming the entrance into a building once used as
a custom-house. They are 42½ feet high and 4½ feet in diameter,
supporting an architrave of marble which has been recently restored.
In the interior are some immense blocks of marble which formed part of
the vaulting. The temple, with the Portico of the Argonauts which
surrounded it, was erected by Agrippa. It is now used as a chamber of
commerce.
[Illustration: TEMPLE OF NEPTUNE.]
_Continuing our ramble along the Corso, on the right_ is the PALAZZO
SIMONETTI, on the left the PALAZZO SCIARRA. The pictures here have not
been shown to the public for some years. Beyond, _standing back_, is
the CHURCH OF S. MARCELLO, containing the celebrated cherubs of
Pierino del Vaga, the most exquisite things ever done in fresco. The
tomb of Cardinal Weld is also here.
Rienzi's body was hung up by the feet for two days in front of this
church.
THE CHURCH OF S. MARIA IN VIA LATA
Public-domain text, read in full here on John Shaqi.
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