Rambles in the Mammoth Cave, during the Year 1844: By a VisiterBullitt, Alexander Clark
History
Rambles in the Mammoth Cave, during the Year 1844: By a Visiter
Bullitt, Alexander Clark
Bullitt, Alexander Clark, 1807-1868; Mammoth Cave (Ky.)
Leaving these points to be settled as they may, we will proceed
onwards; the road now is broad and fine, and in many places dusty.
Next in order is Willie's Spring, a beautifully fluted niche in the
left hand wall, caused by the continual attrition of water trickling
down into a basin below. This spring derives its name from that of a
young gentleman, the son of a highly respectable clergyman of
Cincinnati, who, in the spirit of romance, assumed the name of
Wandering Willie, and taking with him his violin, marched on foot to
the Cave. Wishing no better place in which to pass the night, he
selected this spot, requesting the guide to call for him in the
morning. This he did and found him fast asleep upon his bed of earth,
with his violin beside him--ever since it has been called Willie's
Spring. Just beyond the spring and near the left wall, is the place
where the oxen were fed during the time of the miners; and strewn
around are a great many corn-cobs, to all appearance, and in fact,
perfectly sound, although they have lain there for more than thirty
years. In this neighborhood is a niche of great size in the wall on
the left, and reaching from the roof to the bottom of a pit more than
thirty feet deep, down the sides of which, water of the purest kind is
continually dripping, and is afterwards conducted to a large trough,
from which the invalids obtain their supply of water, during their
sojourn in the Cave. Near the bottom, this pit or well expands into a
large room, out of which, there is no opening. It is probable that
Richardson's Spring in the Deserted Chambers is supplied from this
well. Passing the Well Cave, Rocky Cave, etc., etc., we arrived at the
Giant's Coffin, a huge rock on the right, thus named from its singular
resemblance in shape to a coffin; its locality, apart from its great
size, renders it particularly conspicuous, as all must pass around it,
in leaving the Main Cave, to visit the rivers and the thousand wonders
beyond. At this point commence those incrustations, which, portraying
every imaginable figure on the ceiling, afford full scope to the
fanciful to picture what they will, whether of "birds, or beasts, or
creeping things." About a hundred yards beyond the Coffin, the Cave
makes a majestic curve, and sweeping round the Great Bend or
Acute-Angle, resumes its general course. Here the guide ignited a
Bengal light. This vast amphitheatre became illuminated, and a scene
of enchantment was exposed to our view. Poets may conceive, but no
language can describe, the splendor and sublimity of the scene. The
rapturous exclamations of our party might have been heard from afar,
both up and down this place of wonders. Opposite to the Great Bend, is
the entrance of the Sick Room Cave, so called from the fact of the
sudden sickness of a visiter a few years ago, supposed to have been
caused by his smoking, with others, cigars in one of its most remote
and confined nooks. Immediately beyond the Great Bend, a row of
Public-domain text, read in full here on John Shaqi.
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