Canadian fiction -- 20th century; Detective and mystery stories
Arriving at the dilapidated wharf a mile or so farther, she had to run
a gauntlet of curious stares. Everybody wished to help her, and the
sheep were quickly penned and tagged. Pen could see in the men's eyes
what a storm of gossip would break loose once her back was turned, but
she cared little about that.
The steamboat on her up trip was due at eight o'clock. Pen's chief
anxiety was lest it should be delayed long enough to allow her father
to reach Hungerford's Run on horseback. Pendleton had no right to stop
her of course, and nothing he might say could shake her determination;
but she shuddered at the idea of washing the family linen there on the
beach before strangers.
However the _Princess Anne_ arrived before her father, and the sheep
were driven aboard. Pen put her arms around the good dog's neck,
careless of who might witness her emotion.
"I can't take you! I can't take you!" she murmured. "Do not blame me
for it!"
They had to lock Doug in the little warehouse before she could go
aboard. Pen listened to him flinging himself against the door, and
heard his sharp, anguished barks, feeling like a traitress.
The steamboat proceeded on her leisurely course from wharf to wharf up
the bay.
CHAPTER XIII
IN CHAMBERS
The Criminal Court Building in New York City is a huge square block of
yellow brick with an incongruous cornice and grandiose trimmings. It
is of the Tammany period. Among architectural aberrations, architects
give it a leading place. It was run up on the site of an old pond, and
was no sooner up than it threatened to fall down again. There was a
great scare at the time, but that has long ago been forgotten. The
monument still stands, secure in its ugliness.
It is one of the busiest places in the city. It knows no long
vacations during the heated term. Day in and day out the mills of
justice grind feverishly without ever quite catching up with the grist
that is offered. Judges from quieter jurisdictions up state have
continually to be imported to relieve the overworked metropolitan
incumbents.
Within the building there is a vast enclosed court surrounded by wide,
cement-paved galleries tier above tier. Every day during court hours
these galleries are thronged with what is surely the most diverse
collections of humanity ever brought together under a roof; witnesses
principally, or friends of the accused. Every walk of life is
represented; every stratum of society. But among the countless types
four are repeated over and over; wary-eyed initiates of the underworld,
weeping women, shabby insinuating lawyers looking for business, and
detectives with eyes as wary as the gunmen, but better fed men and full
of a conscious rectitude. Dozens of little dramas are going on
simultaneously.
Public-domain text, read in full here on John Shaqi.
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