The church was a very old one--had seen candles burning, heard the little bell ringing, and smelt the incense of the old Catholic service. It was so old, that it seemed settling down again into the earth, especially on one side, where great buttresses had been built to keep it up. It leaned against them like a weary old thing that wanted to go to sleep. It had a short square tower, like so many of the churches in England; and although there was but one old cracked bell in it, although there was no organ to give out its glorious sounds, although there was neither chanting nor responses, I assure my English readers that the awe and reverence which fell upon me as I crossed its worn threshold were nowise inferior, as far as I can judge, to the awe and respect they feel when they enter the more beautiful churches of their country. There was a hush in it which demanded a refraining of the foot, a treading softly as upon holy ground; and the church was inseparably associated with my father. The pew we sat in was a square one, with a table in the middle of it for our books. My brother David generally used it for laying his head upon, that he might go to sleep comfortably. My brother Tom put his feet on the cross-bar of it, leaned back in his corner--for you see we had a corner apiece--put his hands in his trousers pockets, and stared hard at my father--for Tom’s corner was well in front of the pulpit. My brother Allister, whose back was to the pulpit, used to learn the _paraphrases_ all the time of the sermon. I, happiest of all in my position, could look up at my father, if I pleased, a little sideways; or, if I preferred, which I confess I often did, study--a rare sight in Scotch churches--the figure of an armed knight, carved in stone, which lay on the top of the tomb of Sir Worm Wymble--at least that is the nearest I can come to the spelling of the name they gave him. The tomb was close by the side of the pew, with only a flagged passage between. It stood in a hollow in the wall, and the knight lay under the arch of the recess, so silent, so patient, with folded palms, as if praying for some help which he could not name. From the presence of this labour of the sculptor came a certain element into the feeling of the place, which it could not otherwise have possessed: organ and chant were not altogether needful while that carved knight lay there with face upturned, as if looking to heaven. [Illustration]