As he again slowly approached the table where Miss Warriner was seated,
the eyes of everyone were turned upon him; the pathos, the tenderness
of his message seemed to speak to each; the fact that he dared to offer
such a wealth of deep feeling to such an audience was in itself enough
to engage the attention of all. A group of Guardsmen, their faces
flushed with Burgundy and pulling heavily on black cigars, stared at him
sleepily, and then sat up, erect and alert, watching him with intent,
wide-open eyes; and at tables which had been marked by the laughter of
those seated about them there fell a sudden silence. Those who fully
understood the value of the music withdrew into themselves, submitting,
thankfully, to its spell; others, less susceptible, gathered from the
bearing of those about them that something of moment was going forward;
but it was recognized by each, from the most severe English matron
present down to the youngest “omnibus-boy” among the waiters, that it
was a love-story which was being told to them, and that in this public
place the deepest, most sacred, and most beautiful of emotions were
finding noble utterance.
The music filled Corbin with desperate longing and regret. It was
so truly the translation of his own feelings that he was alternately
touched with self-pity and inspired to fresh resolve. It seemed to
assure him that love such as his could not endure without some return.
It emboldened him to make still another and a final appeal. Mrs.
Warriner, with all the other people in the room, was watching Edouard,
and so, unobserved, and hidden by the flowers upon the table, Corbin
leaned toward Miss Warriner and bent his head close to hers. His eyes
were burning with feeling; his voice thrilled in unison to the plaint of
the violin.
He gave a toss of his head in the direction from whence the music came.
“That is what I have been trying to tell you,” he whispered. His voice
was hoarse and shaken. “That is how I care, but that man's genius is
telling you for me. At last, you must understand.” In his eagerness, his
words followed each other brokenly and impetuously. “That is love,” he
whispered. “That is the real voice of love in all its tenderness
and might, and--it is love itself. Don't you understand it now?” he
demanded.
Miss Warriner raised her head and frowned. She stared at Edouard with a
pained expression of perplexity and doubt.
“He shows no lack of feeling,” she said, critically, “but his technic is
not equal to Ysaye's.”
“Good God!” Corbin gasped. He sank away from Miss Warriner and stared at
her with incredulous eyes.
“His technic,” he repeated, “is not equal to Ysaye's?” He gave a laugh
which might have been a sob, and sat up, suddenly, with his head
erect and his shoulders squared. He had the shaken look of one who has
recovered from a dangerous illness. But when he spoke again it was in
the accents of every-day politeness.
Public-domain text, read in full here on John Shaqi.
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