devotion to one who could not feel, to a statue, to an idol? Were not
the very things which rendered her beautiful the offerings which he
himself had hung upon her altar? Did the qualities he really loved in
her exist? Was he not on the brink of casting his love before one
who could neither feel it for him nor for any other man? He stood up,
trembling and frightened. Even though the girl had rejected him again
and again, he felt a hateful sense of disloyalty. He was ashamed to
confess it to himself, and he vowed, hotly, that he must be wrong, that
he would not believe. He would still worship her, fight for her, and
force her to care for him.
Mrs. Warriner and her daughter were to sail on the morrow, and
that night they met Corbin at dinner for the last time. After many
days--although self-accused--he felt deeply conscious of his recent lack
of faith, and, in the few hours still left him, he determined to atone
for the temporary halt in his allegiance. They had never found him more
eager, tactful, and considerate than he was that evening. The eyes of
Mrs. Warriner softened as she watched him. As one day had succeeded
another, her admiration and liking for him had increased, until now she
felt as though his cause was hers--as though she was not parting from
a friend, but from a son. But the calmness of her daughter was
impenetrable; from her manner it was impossible to learn whether the
approaching separation was a relief or a regret.
To Edouard the return of the beautiful girl to the restaurant appeared
not as an accident, but as a marked favor vouchsafed to him by Fate. He
had been given a second chance. He read it as a sign that he should take
heart and hope. He felt that fortune was indeed kind. He determined that
he would play to her again, and that this time he would not fail.
As the first notes of La Lettre d'Amour brought a pause of silence
in the restaurant, Corbin, who was talking at the moment, interrupted
himself abruptly, and turned in his chair.
All through the evening he had been conscious of the near presence of
the young musician. He had not forgotten how, on the night before, his
own feelings had been interpreted in La Lettre d'Amour, and for some
time he had been debating in his mind as to whether he would request
Edouard to play the air again, or let the evening pass without again
submitting himself to so supreme an assault upon his feelings. Now the
question had been settled for him, and he found that it had been decided
as he secretly desired. It was impossible to believe that Edouard was
the same young man who had played the same air on the night previous,
for Edouard no longer considered that he was present on sufferance--he
invited and challenged the attention of the room; his music commanded it
to silence. It dominated all who heard it.
Public-domain text, read in full here on John Shaqi.
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