As Cahill crossed the parade-ground from Captain Carr's quarters on his
way to Ranson's hut his brain was crowded swiftly with doubts, memories,
and resolves. For him the interview held no alarms. He had no misgivings
as to its outcome. For his daughter's sake he was determined that he
himself must not be disgraced in her eyes and that to that end Ranson
must be sacrificed. It was to make a lady of her, as he understood what
a lady should be, that on six moonlit raids he had ventured forth in his
red mask and robbed the Kiowa stage. That there were others who roamed
abroad in the disguise of the Red Rider he was well aware. There were
nights the stage was held up when he was innocently busy behind his
counter in touch with the whole garrison. Of these nights he made much.
They were alibis furnished by his rivals. They served to keep suspicion
from himself, and he, working for the same object, was indefatigable
in proclaiming that all the depredations of the Red Rider showed the
handiwork of one and the same individual.
“He comes from Kiowa of course,” he would point out. “Some feller who
lives where the stage starts, and knows when the passengers carry
money. You don't hear of him holding up a stage full of recruits or
cow-punchers. It's always the drummers and the mine directors that the
Red Rider lays for. How does he know they're in the stage if he don't
see 'em start from Kiowa? Ask 'Pop' Henderson. Ask 'Abe' Fisher. Mebbe
they know more than they'd care to tell.”
The money which at different times Cahill had taken from the Kiowa stage
lay in a New York bank, and the law of limitation made it now possible
for him to return to that city and claim it. Already his savings were
sufficient in amount to support both his daughter and himself in one of
those foreign cities, of which she had so often told him and for which
he knew she hungered. And for the last five years he had had no other
object in living than to feed her wants. Through some strange trick of
the mind he remembered suddenly and vividly a long-forgotten scene
in the back room of McTurk's, when he was McTurk's bouncer. The night
before a girl had killed herself in this same back room; she made
the third who had done so in the month. He recalled the faces of the
reporters eyeing McTurk in cold distaste as that terror of the Bowery
whimpered before them on his knees. “But my daughters will read it,”
he had begged. “Suppose they believe I'm what you call me. Don't go and
give me a bad name to them, gentlemen. It ain't my fault the girl's
died here. You wouldn't have my daughters think I'm to blame for that?
They're ladies, my daughters, they're just out of the convent, and they
don't know that there is such women in the world as come to this place.
And I can't have 'em turned against their old pop. For God's sake,
gentlemen, don't let my girls know!”
Public-domain text, read in full here on John Shaqi.
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