Edouard, the second violin, was all that Bardini was not, consequently
he was entirely unsuited to lead an orchestra in a restaurant. Indeed,
so little did he understand of what was required of him that on the
only occasion when Bardini sent him to pass the plate he was so
unsophisticated as not to hide the sixpences and shillings under the
napkin, and so leave only the half-crowns and gold pieces exposed.
And, instead of smiling mockingly at those who gave the sixpences, and
waiting for them to give more, he even looked grateful, and at the same
time deeply ashamed. He differed from Bardini also in that he was very
thin and tall, with the serious, smooth-shaven face of a priest. Except
for his fantastic costume, there was nothing about him to recall the
poses of the musician: his hair was neither long nor curly; it lay
straight across his forehead and flat on either side, and when he
played, his eyes neither sought out the admiring auditor nor invited
his applause. On the contrary, they looked steadfastly ahead. It was as
though they belonged to someone apart, who was listening intently to the
music. But in the waits between the numbers the boy's eyes turned from
table to table, observing the people in his audience. He knew nearly all
of them by sight: the head waiters who brought him their “commands,”
and his brother-musicians, had often discussed them in his hearing. They
represented every city of the world, every part of the social edifice:
there were those who came to look at the spectacle, and those who came
to be looked at; those who gave a dinner for the sake of the diners,
those who dined for the dinner alone. To some the restaurant was a
club; others ventured in counting the cost, taking it seriously, even
considering that it conferred upon them some social distinction. There
were pretty women in paint and spangles, with conscious, half-grown
boys just up from Oxford; company-promoters dining and wining possible
subscribers or “guinea-pigs” into an acquiescent state; Guardsmen giving
a dinner of farewell to brother-officers departing for the Soudan or the
Cape; wide-eyed Americans just off the steamer in high dresses, great
ladies in low dresses and lofty tiaras, and ladies of the stage, utterly
unconscious of the boon they were conferring on the people about them,
who, an hour before, had paid ten shillings to look at them from the
stalls.
Public-domain text, read in full here on John Shaqi.
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