He was of a poor, though ancient family, from the mountainous province of Forez, and his father, whose sole dignity was that of honor (worth all others), had, like the nobles of Spain, exchanged the sword for the plough. His mother, still young and handsome, seemed his sister, so much did they resemble each other. She had been bred amid the luxurious elegancies of a capital; and as the balmy essence of the rose perfumes the crystal vase of the seraglio in which it has once been contained, so she, too, had preserved that fragrant atmosphere of manners and language which never evaporates entirely. In her secluded mountains, with the loved husband of her choice, and with her children, in whom she had complacently centred all the pride of her maternal heart, she had regretted nothing. She closed the fair book of youth at these three words,--"God, husband, children." Raphael especially was her best beloved. She would have purchased for him a kingly destiny, but, alas, she had only her heart with which to raise him up, for their slender fortune, and their dreams of prosperity, would ever and anon crumble to their very foundation beneath the hand of fate. Two holy men, driven by persecution to the mountains, had, soon after the Reign of Terror, taken refuge in her house. They had been persecuted as members of a mystical religious sect which dimly predicted a renovation of the age. They loved Raphael, who was then a mere child, and, obscurely prophesying his fate, pointed out his star in the heavens, and told his mother to watch over that son with all her heart. She reproached herself for being too credulous, for she was very pious; but still she believed them. In such matters, a mother is so easy of belief! Her credulity supported her under many trials, but spurred her to efforts beyond her means to educate Raphael, and ultimately deceived her. I had known Raphael since he was twelve years old, and next to his mother he loved me best on earth. We had met since the conclusion of our studies, first in Paris, then at Rome, whither he had been taken by one of his father's relatives, for the purpose of copying manuscripts in the Vatican Library. There he had acquired the impassioned language and the genius of Italy. He spoke Italian better than his mother tongue. At evening he would sit beneath the pines of the Villa Pamphili, and gazing on the setting sun and on the white fragments scattered on the plain, like the bleached bones of departed Rome, would pour forth extemporaneous stanzas that made us weep; but he never wrote. "Raphael," would I sometimes say, "why do you not write?"