Architecture -- Italy -- Ravenna; Ravenna (Italy) -- History
CAPITAL FROM THE COLONNADE IN PIAZZA MAGGIORE
S. APOLLINARE IN CLASSE
CAPITAL FROM S. VITALE
CAPITAL FROM SANTO SPIRITO
SKETCH MAP
SKETCH MAP OF CITIES IN IMPERIAL HANDS
SKETCH MAP SHOWING NARSES' MARCH TO MEET TOTILA
SKETCH MAP
THE SARCOPHAGUS OF THE EXARCH ISAAC
GUARDHOUSE OF THE PALACE OF THEODORIC
THE CATHEDRAL (_Basilica Ursiana_)
THE BAPTISTERY AND CAMPANILE OF THE CATHEDRAL
THE CAMPANILE OF S. GIOVANNI EVANGELISTA
S. VITALE
CAPITAL FROM S. VITALE
INTERIOR OF S. APOLLINARE IN CLASSE
CAPITAL FROM S. VITALE
THE CAMPANILE OF S. APOLLINARE
CASA POLENTANA
DANTE'S TOMB
CAMPANILE OF S. FRANCESCO
INTERIOR OF S. MARIA IN PORTO FUORI
TORRE DEL COMUNE
PORTAL OF S. GIOVANNI EVANGELISTA
ROCCA VENIZIANA
MONUMENT OF GASTON DE FOIX
THE CLOISTER OF S. GIOVANNI EVANGELISTA
THE PINETA
THE PINETA
TO PORTO CORSINI
PLAN OF RAVENNA _see front end paper_
[Illustration: Colour Plate S. APOLLINARE NUOVO]
RAVENNA
A STUDY
I
THE GEOGRAPHICAL AND POLITICAL POSITION OF RAVENNA
Upon the loneliest and most desolate shore of Italy, where the vast
monotony of the Emilian plain fades away at last, almost
imperceptibly, into the Adrian Sea, there stands, half abandoned in
that soundless place, and often wrapt in a white shroud of mist, a
city like a marvellous reliquary, richly wrought, as is meet,
beautiful with many fading colours, and encrusted with precious
stones: its name is Ravenna.
It stands there laden with the mysterious centuries as with half
barbaric jewels, weighed down with the ornaments of Byzantium, rigid,
hieratic, constrained; and however you come to it, whether from Rimini
by the lost and forgotten towns of Classis and Caesarea, or from
Ferrara through all the bitter desolation of Comacchio, or across the
endless marsh from Bologna or Faenza, its wide and empty horizons, its
astonishing silence, and the difficulty of every approach will seem to
you but a fitting environment for a place so solitary and so
imperious.
For this city of mute and closed churches, where imperishable mosaics
glisten in the awful damp, and beautiful pillars of most precious
marbles gleam through a humid mist, of mausoleums empty but
indestructible, of tottering _campanili_, of sumptuous splendour and
incredible decay, is the sepulchre of the great civilisation which
Christianity failed to save alive, but to which we owe everything and
out of which we are come; the only monument that remains to us of
those confused and half barbaric centuries which lie between Antiquity
and the Middle Age.
Public-domain text, read in full here on John Shaqi.
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