American fiction -- 20th century; Short stories, American
with hysteric strength, and after she had gone, broke away from his
aunt, rushed out of the street door, shrieking, “Mother, Mother! don’t
go away from Raoul!” and flung himself frantically upon his mother’s
skirts. She said to me, as she told me of this, “dying will be easy
compared to that moment!” But without weakening she did the intolerable
thing, the only thing there was to do, she reached down, tore the
little boy’s tense fingers from her dress, and climbed up into the
truck. “As I looked away from Raoul I saw that tears were running down
the cheeks of the German guard who stood at the back of the truck.”
Ah, this human race we belong to!
Shuddering with the anguish of such scenes of separation, the hostages
were locked for three days into cattle-cars, cold, windowless, jolting
prisons, where they lived over and over those unbearable last moments
with children, or sisters, or parents, or husbands, whom they never
expected to see again. At the end of this ordeal, the wretched women,
numb, half-starved, limping along in their disordered garments, raging
inwardly, inflamed with indignant hatred for the soldiers who marshaled
them, were brought together in their prison and left alone, save for
two bored guards who sat at the door and stared at them.
The prison camp was an enormous one in the north of Germany, a dreary
clutter of rough wooden buildings thrown down on a flat, sandy
plain, entangled and surrounded by miles of barbed-wire fencing.
The prison-room allotted to the forty women from Tourciennes was a
high, bare loft, like a part of an ill-built, hastily constructed
barn. Around three walls were tiers of bunks, filled with damp, moldy
straw, a couple of dirty blankets on each. In the middle of the room
was a smallish stove, rather tall and thin in shape, with one hole
in the top, closed by a flat lid. An iron kettle stood on the stove.
Windows were set in one wall of the room. Under the windows ran a long
bench, and before it stood a long table made of a wide board. There
was nothing else to be seen, except grease and caked filth on the
rough, unpainted boards of the floor and walls. The last of the women
staggered into the room; the door was shut, and they faced each other
in the gray winter light which filtered in through the smeared panes of
the windows.
Public-domain text, read in full here on John Shaqi.
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