American fiction -- 20th century; Short stories, American
Each year the Selectmen planning the town expenditures with the
concentrated prudence born of hard necessity, cast an uneasy mental
glance up Arnold Hollow way, and scringed at the thought that perhaps
this was the year when money would have to be taken away from the road
or the school fund to pay for Old Man Warner’s doctoring and nursing;
and finally for his burial, because as the years went by, even the
tenuous western granddaughter vanished: died, or moved, or something.
Old Man Warner was now entirely alone in the world.
All during my childhood and youth he was a legendary figure of “sot”
obstinacy and queerness. We children used to be sent up once in a
while, to take our turn in seeing that the old man was all right. It
was an expedition like no other. You turned off the main road and
went up the steep, stony winding mountain road, dense with the shade
of sugar-maples and oaks. At the top, when your blown horse stopped
to rest, you saw before you the grassy lane leading across the little
upland plateau where the Arnold Hollow settlement had been. The older
people said they could almost hear faint echoes of whetting scythes,
and barking dogs, and cheerful homely noises, as there had been in the
old days. But for us children there was nothing but a breathlessly
hushed, sunny glade of lush meadows, oppressively silent and spooky,
with a few eyeless old wrecks of abandoned farm houses, drooping and
gray. You went past the creepy place as fast as your horse could
gallop, and clattered into the thicket of shivering white birches which
grew close to the road like a screen; and then--there was no sensation
in my childhood quite like the coming out into the ordered, inhabited,
humanized little clearing, in front of Old Man Warner’s home. There
were portly hens crooning around on the close-cropped grass, and a pig
grunting sociably from his pen at you, and shining milk-pans lying in
the sun tilted against the white birch sticks of the wood-pile, and
Old Man Warner, himself, infinitely aged and stooped, in his faded,
clean overalls, emerging from the barn-door to peer at you out of his
bright old eyes and to give you a hearty, “Well, you’re quite a long
ways from home, don’t you know it? Git off your horse, can’t ye? I’ve
got a new calf in here.” Or perhaps if it were a Sunday, he sat in
the sun on the front porch, with a clean shirt on, reading the weekly
edition of the _New York Tribune_. He drove two miles every Saturday
afternoon, down to his R. F. D. mail-box on the main road, to get this.
Public-domain text, read in full here on John Shaqi.
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