American fiction -- 20th century; Short stories, American
His little juiceless body was light, but everything else about him was
heavy with the somber earnestness of his determination to teach us what
he considered the manners of women of the world. Thrice a week we were
obliged to begin those lessons by a ceremonious entry into the big
salon, four by four, advancing in time to music across the bare shining
desert of its waxed floors, counting furtively under our breaths, “one,
two, three, four, glide, bend, recover, glide,” as we courtesied to
the Directrice, “advance again, one, two, three, four, glide, bend,
recover, glide,”--here we saluted the Sous-Directrice--“advance again”
(I was always shaking partly with giggles at the absurdity of the whole
business, partly with fear of the terrible eye of Professor Delacour),
“one, two three, four, glide, bend ...” but usually at this point of my
attempted bow to the Professor of Deportment I was harshly told to go
back and start the whole agonizing ritual over.
That was before the Brodard girls took me in hand and, flanking me on
either side, swept me forward on the crest of their perfect advance
and genuflection to the coveted place of safety on the other side of
the room where, in a black-robed line, the little girls who had made a
correct entry awaited further instructions in the manners of the world.
The support of the three Brodard girls did not stop short when they had
engineered me through the matter of getting into a room. The professor
himself was not more steeped in a religious sense of the importance of
his instruction than were Madeleine, Lucie, and Clotilde Brodard. The
insensate inner laughter which constantly threatened to shake the lid
of my decorum, was safely muffled by their whole-souled attention as
we stood there, watching the elegant gestures and still more elegant
immobilities of Professor Delacour, as he explained the lesson of the
day.
One day we were taught how to put money into the contribution-box in
church, “not with a preoccupied, bored air, nor yet with a complacent
smirk, but thus, gravely, with a quiet dignified gesture.” Then he
would pass the velvet contribution bag down the line, and forty little
girls must each find the right expression, “not bored, or preoccupied,
not yet with a complacent, self-conscious look, gravely--quietly--with
dignity.”
I can still feel in the pit of my stomach the quiver of mingled
terror and mirth with which at twelve years of age, I prepared to
be, “not bored or preoccupied, nor yet smirking and complacent, but
quiet--dignified--” I would never have lived through it if I had not
been hypnotized by the Brodard girls.
Public-domain text, read in full here on John Shaqi.
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